OUR MISSING HEARTS by Celeste Ng (Penguin Press, October 2022) Hardcover, 335 pages. ISBN #9780593652763
Synopsis on the Goodreads website . . . . .
Twelve-year-old Bird Gardner lives a quiet existence with his loving but broken father, a former linguist who now shelves books in a university library. Bird knows to not ask too many questions, stand out too much, or stray too far. For a decade, their lives have been governed by laws written to preserve “American culture” in the wake of years of economic instability and violence. To keep the peace and restore prosperity, the authorities are now allowed to relocate children of dissidents, especially those of Asian origin, and libraries have been forced to remove books seen as unpatriotic—including the work of Bird’s mother, Margaret, a Chinese American poet who left the family when he was nine years old.
Bird has grown up disavowing his mother and her poems; he doesn’t know her work or what happened to her, and he knows he shouldn’t wonder. But when he receives a mysterious letter containing only a cryptic drawing, he is pulled into a quest to find her. His journey will take him back to the many folktales she poured into his head as a child, through the ranks of an underground network of librarians, into the lives of the children who have been taken, and finally to New York City, where a new act of defiance may be the beginning of much-needed change.
My Four-Star Review on the Goodreads website . . . . .
This is a much darker and deeper book compared to LITTLE FIRES EVERYWHERE, also by Ng. Based on the emotions and fears expressed by the characters, it also seems a more personal story to her as reinforced by her comments in the afterword.
Published in 2022, I suspected it was influenced by the 2020 coronavirus pandemic/shutdown as the story develops around a similar crisis (but financial in nature, also blamed on China) that in OUR MISSING HEARTS leads to authoritarian/dystopian government as a result.
In that afterword, Ng says: There are far too many instances of free expression being stifled - and discrimination rationalized - under the guise of "protection" and "security." Considering our current situation in U.S. government, this is a very timely story whose warning should be heeded by all of us.
While LITTLE FIRES EVERYWHERE was a heart-warming slice-of-life that felt authentic and real, OUR MISSING HEARTS is more akin to 1984 and THE HANDMAID'S TALE. It's disturbing and deeply sad. The characters are memorable, as Ng is good at depicting their various emotions and reactions as things around them get out of hand and restrictive.
This did not entertain me in the same way that her previous novel did. However, the message will stay with me - and is much more important. Despite the unhappy conclusion to the novel, there is a small glimmer of hope. That's something to hold onto.