Wednesday, October 16, 2024

Dark Matter — Official Trailer | Apple TV+


DARK MATTER on Apple TV+: In my opinion, one of the best science-fiction
mini-series currently on streaming services. I loved the novel, and love the
video series even more. Writer Blake Crouch adapts his novel for the
screen and puts some wrinkles in the story that make it even more 
effective. Even though I read the book, I was not sure where this was going.
A very sastifying conclusion, just like the book but also different. FIVE
STARS.

Next Up In The Nacelleverse: POWER LORDS


From the official ONI Press release . . . . .


POWER LORDS #1 – Dennis Culver, Matt Hotson, & V Ken Marion Blast Off in the Next Cosmic Chapter of the Nacelleverse in January! 


In Partnership with The Nacelle Company, Oni Press’ Unstoppable Line of Toy-Inspired Comics  Levels Up with a Riveting Space Epic Inspired by 80’s Toy Icons!

A COVERS FOR POWER LORDS 1-3 TRYPTIC BY DUSTIN WEAVER 

PORTLAND, OR (Oct 14, 2024) – Oni Press, in partnership with global entertainment powerhouse The Nacelle Company, presents the return of the next iconic toy franchise to follow in the hallowed footsteps of BIKER MICE FROM MARS, ROBOFORCE, and SECTAURS… Enter: POWER LORDS #1!  


Enter an alien realm beyond imagination as the beloved toy icons return to fuel 2025’s most epic, galaxy-spanning cosmic adventure from acclaimed writers Dennis Culver(Unstoppable Doom Patrol) & Matt Hotson (Power Rangers: The Return) and blockbuster artist V Ken Marion (Green Lantern)! When deep-space smuggler Adam Power comes into possession of the mysterious Power Jewel, he finds himself transformed into something far greater and more powerful than the sum of his parts—only to discover he’s been drafted into an eons-old battle between good and evil that could rend entire galaxies asunder! Standing alongside Shaya the Queen of Power, Sydot, and more, Adam Power is about to face the ultimate evil in the galaxy – Arkus! The next chapter of the NACELLEVERSE starts here as the POWER LORDS are reborn for a new generation!


THIS JANUARY, THE LEGEND OF THE POWER LORDS BEGINS ANEW! Featuring star-spanning covers by Dustin Weaver (Avengers, EC’s Epitaphs from the Abyss), Salvador Larroca (Darth Vader, Invincible Iron Man), Grey Williamson (Val-Mar: Gifted And Cursed), and more, POWER LORDS #1 redefines an 80’s toy classic for an all-new era –  when it goes on sale in comic shops everywhere January 2025!


COVER A BY DUSTIN WEAVER 

COVER B BY SALVADOR LAROCCA 

FULL ART VARIANT (1:10) BY DUSTIN WEAVER 

VARIANT COVER (1:20) BY GREY WILLIAMSON 

POWER LORDS #1 (of 3)

WRITTEN BY DENNIS CULVER & MATT HOTSON

ARTY BY V KEN MARION

COVER A BY DUSTIN WEAVER 

COVER B BY SALVADOR LARROCA 

COVER C BY TO BE REVEALED

FULL ART VARIANT (1:10) BY DUSTIN WEAVER 

VARIANT COVER (1:20) BY GREY WILLIAMSON F

VARIANT COVER (1:50) BY TO BE REVEALED

BLANK COVER ALSO AVAILABLE 


ON SALE JANUARY 29th, 2025 | $4.99 | 32 PAGES | FC

IOC: 12/1/2024

FOC: 1/6/2025



About Oni Press


Founded in 1997, Oni Press has a 25-year history as one of the industry’s most respected and acclaimed publishers of award-winning comic books and graphic novels with titles including Bryan Lee O'Malley's Scott Pilgrim, K. O’Neill’s Tea Dragon Society,Cullen Bunn & Brian Hurtt's The Sixth Gun, Maia Kobabe's Gender Queer, Ezra Clayton Daniels' Upgrade Soul, Brenna Thummler’s Sheets trilogy, and many hundreds more. In 2019, Oni Press merged with Lion Forge Comics – the Eisner Award-winning independent comic book publisher founded by Academy Award-winning producer and entrepreneur David Steward II – to create one of the largest, independent libraries of comics content anywhere in media. The Oni-Lion Forge Publishing Group now exists as a publishing subsidiary of Steward’s diversified global media company, Polarity.


The Oni-Lion Forge Publishing Group publishes more than 60 original and licensed graphic novels annually, in addition to an extensive list of periodical comics.


About Nacelle Company


Established in 2017, The Nacelle Company, founded by Brian Volk-Weiss, is an American diversified media company headquartered in Los Angeles, California, dedicated to producing quality entertainment. Nacelle has evolved into a leader in the pop-culture space through its scripted and unscripted productions, consumer products, records, distribution, and podcasting divisions. Nacelle’s comedy division, Comedy Dynamics, is a worldwide leader in the stand-up comedy space, having produced and distributed specials for Ali Wong, Tom Segura, Iliza Shlesinger, Pete Davidson, Jim Gaffigan, Tiffany Haddish, Larry the Cable Guy, and more. Nacelle is currently producing the NacelleVerse, an interconnected universe of animated shows that include RoboForce, which is co-produced by Brian Volk-Weiss and Seven Bucks Productions’ Dwayne Johnson, Dany Garcia, Hiram Garcia, and Brian Gewirtz, as well as their Biker Mice from Mars animated series, which is co-produced by Brian Volk-Weiss, Cisco Henson, Matt Kravitsky, and Michael Goodman from Nacelle, Maximum Effort’s Ryan Reynolds, George Dewey, Kevin Hill, and Ashley Fox, as well as Fubo’s David Gandler and Pamela Duckworth. The company’s hits include Netflix’s Emmy-winning docuseries, Down To Earth with Zac Efron  and the NAACP Image award-nominated Kevin Hart’s Guide To Black History, as well as Netflix’s The Movies That Made UsThe Toys That Made UsBehind The Attraction on Disney+, Sony’s Mad About You, Icons Unearthed on Vice TVCW’s Discontinued, and the History Channel’s Center Seat: 55 Years of Star Trek. The Nacelle Company develops, produces, and distributes content across multiple media platforms including Netflix, Amazon, Disney+, HBO, Discovery, BET+, A&E Networks, Peacock, Hulu, Vice, Viacom, History, and many more. 

Monday, October 14, 2024

Bad Monkey — Official Trailer | Apple TV+


BAD MONKEY mini-series on Apple TV+: So many friends rave about the
Florida-centric fiction of Carl Hiassen. But, when I read some of his novels I 
either don't like them or can't get interested. Not so with Bad Monkey- this one 
clicked. Credit a great cast beginning with Vince Vaughn and script-writing/
executive producing by Hiassen himself. A fun crime yarn that doesn't
take itself too seriously. FOUR STARS.

Sunday, October 13, 2024

MY WEEK IN COMICS, #41 - - October 13, 2024


#633 - #634  HELLO DARKNESS #3 by various creators (Boom! Studios, September 2024)  This title is a nice counterpart to what Oni Press is doing with the EC revival and Image Comics with CREEPSHOW. I love horror anthology titles; and the more the merrier. Competition should upgrade the quality across the board. 

      HELLO DARKNESS differs from EPITAPHS FROM THE ABYSS in three areas: 1) The covers are not stand-alone art but feature the same recurring character - a red-haired beauty, usually in alert mode, distress, or the cause of the distress. 2) There is no moderator/horror host for the stories. 3) There are two continued stories, which began in Issues #1and #2.

  


  The stand-out story this issue, and it is very disturbing, is “Mukbang” by Michael W. Conrad and Martin Morazzo. It deals with social media influencers and competition for likes and followers. Two high school rivals take this to a horrifying level. A real gut-punch of a story.

     “Kampfgeist” by Andy Lanning and Trevor Hairsine is gritty WWI story set in the trenches as Allies plant bombs underneath the German tunnels. A collapse during a skirmish drops them all into a cavernous temple dedicated to a god of war. Was that an influence on what happens?

        Both of the continued stories are slowly building suspense/tension and work effectively, creating some anxiety to read the next episode. “A Monster Hunter Walks Into A Bar, Part Two” by James Tynion IV and Werther Dell’Edera is a side story from SOMETHING IS KILLING THE CHILDREN with a self-descriptive title as the threat is revealed is Part Two. “The War, Part Three” by Garth Ennis and Becky Cloonan deals with an unspecified world war, perhaps an apocalyptic one, and follows a group of young friends as they try to figure out what exactly is happening and protect themselves. 

   The issue is filled out (perhaps to justify the $5.99 cover price) with some garish pin-up art by Martin Simmons and Jenny Frisson, with a one-page dark comedy cartoon from Robert Hack. FOUR STARS.



#635  KNIGHTS VS. SAMURAI #1 by David Dastmalchian and Fede Mele (Image Comics, September 2024) 
The promotional information: "Sir Charles Ward, "The Dragon Butcher," has achieved knighthood, acclaim, and is leading a legion of royal warriors on a noble mission, yet his self-doubt and grief haunt him. Venturing to a mysterious island in the Far East, Charles leads his diverse assembly of fighters (including a giant and two clerics) to seek vengeance against savage monsters who ambushed a group of English missionaries. Arrival on the island reveals that the truth may be drastically different from what Charles was led to believe, and the "savage monsters" he will face are actually a regiment of skillful warriors.” 

     Nice to see Dastmalchain branch out from horror comedy (COUNT CROWLEY, several volumes) and try his hand at something more dramatic and serious. This could almost be classified as historical fiction were it not for the presence of dragons and sea monsters.

    This is a good set-up for the series, establishing the threat as well as potential character conflicts.  The art is very interesting, with almost a painted look in places. The only drawback is some murkiness in some of the panels that would have benefited from more ink work or just more dark lines of delineation. THREE AND ONE-HALF STARS.



#636  THE MOON IS FOLLOWING US #1 story by Daniel Warren Johnson with art by Daniel Warren Johnson and Riley Rossmo (Image Comics, September 2024) 
I originally passed up this title when it was part of last call for confirmed orders. But, a strong recommendation from Jason at Captain Blue Hen followed by a quick scan of the art (very interesting and creative) prompted me to snatch this off the new release shelf and give it a try-out.  

     Issue #1 doesn’t suck up time and space with back-story - - it plunges you right into the middle of the action. This is a fast paced romp through a sci-fi fantasy world as two adventurers always bickering at each other try to rescue a young girl from imprisonment inside a castle/fortress. They get assists from a elderly scientist/wizard and a talking armed frog (the obligatory stand-in for Rocket Raccoon).

   They argue and try to one-up each other because they are husband and wife and they are inside the dream world of their young daughter, who has been in an unconscious state on life support for over six months. The first issue details one of their attempts, but not successful. 

     The reason I passed up on this title was that after reading the promotional synopsis it reminded me of stories of a similar nature I’ve read in the past (both comics and print fiction). How many stories about going into someone’s dreams do you really need to read? I assumed this wouldn’t offer much different that the recently-read PARASOMNIA, PARASOMNIA: THE DREAMING CITY, and CEMETERY KIDS DON’T DIE (that one had an unconscious person trapped in a video game). 

     All I’m saying is that if you haven’t read as much of this fare as I have then this is definitely worth a look, especially if you like sci-fi/fantasy comics. THREE AND ONE-HALF STARS.



#637 - #638  CRUEL UNIVERSE #3 by various creators (Oni Press/EC Comics, October 2024) 
As I continue to read the EC reboots from Oni Press, I start to see more and more stories, art and layout that remind me of the former EC house style. Even though they employed various writers and artists there was a certain look to an EC book, whether it was the text boxes, fonts, panel size and placement etc that provided a certain comfort level (if such a thing is possible for horror/fantasy/sci-fi comics). So, it’s time to give some credit/recognition to the book editors - - Sierra Hahn and Matt Dryer. Thanks! You’re making a lot of EC fans happy.

   There are two stories this issue that seem to be in competition for my ranking as “favorite”. So, I’m calling this a tie. 

  1. “Automated” by J. Holtham and Kano is a nice dig at Elon Musk and all smart-ass tech “geniuses”. Mr. Shaw invents the self-driving electric car with artificial intelligence that learns how to drive from Shaw himself, including what he likes. He’s not the nicest of persons - - so the a.i. becomes just like him, eventually rebels against all car owners and drives society into an apocalypse. Shaw tries to reverse course, and I sure wish that Mr. Musk achieves similar results before he’s done.
  2. “The Deleted Man” by Ben H. Winters and Carson Thorn is about a con man who needs to erase his online history in order to start anew, fake a resume, and get new employment. So he uses an agency called Lifescrub and his web record and presence disappear. Everything is great until other things begin to disappear. As I read the story, I imagined this happening to a current famous con man. So delicious, if only!

The other two stories are “We Drown On Earth” (Zac Thompson and Dan McDaid) about mutiny on a tanker carrying hazardous chemicals; and “Behave” (Cullen Bunn and David Rubin) detailing how a hovering computer presence, an “angel”, messes with everyone’s less than perfect behavior. 

   Another fine issue. Carry on!  FOUR STARS.



#639 - #640  STAND STILL  #1 - #2 of 8 by Lee Loughridge and Andrew Robinson (Image Comics, August-September 2024)  This gets extra points for presentation: big panels, sometimes overlapping pages, that showcase the intriguing art of Robinson; that also help empathize the rich color choices of Loughridge (a sometimes unrecognized contributor to some great visuals, too many to name here); all on thicker premium paper. The downside is this will cost you $5.99 a copy, but I think it’s worth it.

 


To my knowledge this is the first effort by Loughridge at writing comics and he turns in an interesting and page-turning action adventure. The main character is a tall gent, suave but a bit smug, who wears eccentric outfits and is prone to baiting his adversaries into rage before he delivers the coup de grace. So far, we don’t know his name or his background.

     In Issue #1 he takes on an entire biker gang at their clubhouse, assists a good-natured diner waitress, and turns the tables on a wealthy but arrogant airline passenger. In Issue #2, he dares to engage with a gang of mercenaries in a made-up Arab nation, resulting in a car chase and flaming crash.

   His efforts are enabled by an armband he wears like a wrist watch, a device that allows him to stop the movement of time for everyone except himself. Apparently he’s stolen this device from a secret government experimental lab - - the same lab from which the other prominent character in the story, scientist Colin Shaw, was fired and is about to be called back to help reconfigure a second device. Now, the director of that lab has been murdered and someone more unscrupulous may be behind it.

    I’m not sure where this is going, especially after the final pages of Issue #2. The recipe for STAND STILL includes mystery, action, and science fiction. I like how that tastes, so I’m sticking around. THREE AND THREE-QUARTER STARS.



#641 -#642  UNCANNY X-MEN #1 - #2 by Gail Simone and David Marquez (Marvel Comics, October-November 2024)  This reminds me of the X-Men titles that I used to like - - - back in the 1980’s and 1990’s. It’s a combination of the overlapping plot lines that set up things to occur in later issues as well as the writing style of Gail Simone - - she brings a lot of humanity to the characters. The scenes in Issue #1 where the team grants a dying child a final wish to meet his heroes is extremely well done and heart-breaking.

 


  David Marquez’s art is eye candy. I’m almost tempted to subscribe to this title - -  just not yet. 

    Xavier’s School For Gifted Youngsters is being run by an aggressive and uncaring Dr. Ellis, and she plans to convert it into Graymalkin Prison for mutants. Is the first prisoner Professor X? 

   Rogue (the unofficial leader of this team), Gambit, Wolverine, and later Nightcrawler meet up  - first in Mexico City (versus a dragon) and later in Louisiana. A deer-like mutant named Fawn is being hunted in the Oregon woods. A quartet of disparate young mutants (are these the Outliers?) approach Rogue and company asking for help, but it seems like they would rather start a fight. In a flashback Prof X at college meets an outgoing female and fellow student. Back at Graymalkin, is Siryn a new prisoner or a trustee recruit? Jubilee shows up in Louisiana after scoping out the prison to give her report to Rogue. There’s Hag, a monstrous bounty hunter, collecting more mutants for Graymalkin.  THREE AND ONE-HALF STARS.



#643 - #644 HELLO DARKNESS #2 by various creators (Boom! Studios, August 2024)
I read this the week it came out and planned to write a review. Then, I was side-tracked by a family vacation followed by Baltimore Comic Con and this was forgotten about for a while. 

   So, I read this again just so it was fresh in my mind. Lots of standalone creator contributions this time. Compared to Issues #1 and #3 this is not as  strong. The stand-out story (creepy as all get-out) is “The Clown” written and illustrated in black & white by Adam Raharjo. This made the Top 5 of my Favorite Creepy Clown Stories. (IT, either movie or novel) sits atop at #1.

  “Stargazers” by Frederick Hornung poses the question: what might happen during a first date if both participants were hiding the fact that they were monsters. Amusing, plenty of gory text-free panels. 

   “Apocalypse In Slow Motion” by Wes Craig involves a ritualistic killing that was not completely clear as to what exactly was happening and why. A bit too cryptic for me. Also, Craig’s art is down a notch from his better work. 

    “The War, Part Two” by Garth Ennis and Becky Cloonan continues the story of several friends separated by a war breaking out between England and Russia and their efforts to find safety. This one is interesting, but kind of a slow burn.   THREE AND ONE-QUARTER STARS overall.


#645 - #647  MAD MAGAZINE #40 (E.C. Publications/DC Comics, December 2024) The “POLITICS 2024” issue. Under the DC umbrella, MAD magazine has been mostly a series of reprints with some new content for flavoring.

 


    Of the 27 articles here, 10 are new and take swipes at both political parties, no favoritism shown that I can detect. I laughed at several of these, was amused by others, and indifferent to the rest. It’s not like the heyday of MAD magazine (for me, that was in the 1960’s) when I coveted each issues (and had to hide them from my mother, because her best friend said Mad was a bad influence on growing minds). 

    The other 17 articles are reprints from 1968 through 2020 and feature many familiar faces from political campaigns past. 

    The entire issue was a nice departure for me from the constant bombardment of political messages, news feed, and divisiveness.

   I absolutely love the tongue-in-cheek disclaimer on the contents page:

“The vintage MAD pieces reprinted in this issue were produced in a time that was less mindful and sensitive to matters of race, gender, sexual identity, religion, and food allergies. The text of these articles is presented mostly unaltered (and with cross fingers) for historical reference.”

   THREE AND ONE-HALF STARS overall.



#648  EXCEPTIONAL X-MEN #1 by Eve L. Ewing and Carmen Carnero (Marvel Comics, November 2024) 
Kitty (Kate) Pryde (Shadowcat) is fed up with being an X-Man and is working in a bar, and sharing an apartment with some non-mutant friends that care about her.

   While attending a concert she meets a female teen mutant who needs her help to get away from a bad situation with the security guards. A friendship strikes up, and you know she’ll be joining up a few issues from now. We also know upfront, and get a reminder before the issue ends, that Emma Frost (The White Queen) has plans for Kate and is telepathically pulling some strings.

    A nice debut issue with some easy-going appealing art and some neat graphics in the fight/escape sequences. EXCEPTIONAL X-MEN is different from the other new X-books in that it is a bit light-hearted and more slice-of-life than the usual mutant fare. Don’t shoot me for thinking this, but as I read Issue #1 it made me think what the X-books would be like if Archie Comics took them over. THREE AND ONE-QUARTER STARS.




#649  NIGHT OF THE SLASHERS #1 by Cavan Scott and Paul Fry (Magma Comix, October 2024)  It’s October, the month when we love to watch some classic horror movies for the umpteenth time. Also, it’s a great month for reading horror comics. NIGHT OF THE SLASHERS reads like a movie, and may remind you of several favorites. I was reminded of HALLOWEEN, THE CRAZIES, NIGHT OF THE LIVING DEAD and NIGHT OF THE DEMONS - - all good company.



   Here’s the publisher’s info:  “Hill Creek is a lovely place to visit… except the one night of the year its citizens transform into bloodthirsty maniacs! Of course, that’s the very night Lara’s bus breaks down, stranding the disillusioned teen and her classmates in the secluded town. Secrets uncovered, terror at every turn—will anyone survive the night?”

   The story begins with a flashback to one year prior, and the violent murder of a young teenage girl, apparently sneaking into her grandparents home. How this relates to the main story is not established, but it’s a jarring beginning to what is to come.

   From there, the creators take us to present day as a busload of students on a field trip have to take a detour and find themselves in Hill Creek. An unexplained chain of spikes in the road flattens the bus tires as they pull into an event near the high school and stopped traffic. Townsfolk are friendly, and since new tires can’t be obtained until the next day, everyone gets a room at the local bed and breakfast (all vacancies).But, nobody told the students not to leave their rooms and wander around.

     On the bus ride we learn about main character Lara, her friend Katy, and pushy ex-boyfriend Chip - -enough details that we are going to worry about some of them as things move forward. THREE AND ONE-QUARTER STARS.


#650  DAY OF THE DEAD GIRL written by A J Mendez & Aimee Garcia with art by Belen Culebras  (Magma Comix, October 2024)  The publisher’s information:

Death is never the end of the story. Coroner Sam Castillo will learn this the hard way, when a supernatural serial killer targets her hometown just as she moves back. A skeptical woman of science, Sam butts heads with her spiritual mother Ana, a leader of a witch coven specializing in Brujeria. But when the coven's Brujas start turning up murdered, Sam and Ana must work together to find the killer and save their town's Day of the Dead festival from turning into an occult bloodbath. As if sharing a bathroom with her mom wasn't hard enough.”




  This takes place in Mexico in the middle of the Day of the Dead celebration, ironically a celebration of life. Sam reluctantly returns home, never for any specified reason but perhaps just to assist her mother, who is a medium/psychic who mentors a coven of witches. The death of an elder member is assumed to be of natural causes.

 Sam has a job as an assistant coroner and is assigned to do the autoposy where she discovers some weird markings on the deceased woman’s heart that indicate this may have been a murder. There’s only two pages of a lurking hooded figure surrounding the festival, a figure who carves a pentagram on the floor of a public restroom. Finally, the ghost of a troubled young girl shows up asking Sam for help. 

   A good set-up issue, with some very colorful art throughout. I’m not sure where this will go but I’m definitely curious. THREE AND ONE-QUARTER STARS.