Wednesday, September 30, 2020

More About VALIANT VOICES, New Monthly You Tube Series

VALIANT VOICES CELEBRATES COMICS WITH
CREATORS, PRESS, AND MORE


September 30th, 2020 – Cullen Bunn. Comicstorian. Vita Ayala. Jon Davis-Hunt. You know their work, but how well do you really know them? Valiant Entertainment is proud to launch Valiant Voices, a new monthly interview series on Valiant's YouTube channel that's all about picking the brains of comic creators, comic press, and many more about why they love comics.

Up first: a giant-sized debut interview with ComicPOP's Sal & Tiffany! The fan-favorite YouTube duo reveal their comic book reading origin stories, discuss what makes the Valiant Universe unique, pick their favorite comic book movies & TV shows, and much, much more. Watch the first episode, below.
 
Watch the Video

What is the first comic they remember reading? What comic got them hooked on the hobby? What is their favorite single issue? What are they reading right now? Those questions and many more will pop up in each interview as Valiant Marketing & Publicity Manager Gregg Katzman talks to a new guest, each and every month. Future guests include...

 

  • Cullen Bunn (SHADOWMAN, PUNK MAMBO)
  • Kat Calamia (Newsarama, ComicUno)
  • Dennis "Hopeless" Hallum (X-O MANOWAR, Sea of Stars)
  • Valiant Senior Editors Heather Antos & Lysa Hawkins
  • Benny Potter (Comicstorian)
  • Jeff Parker (NINJAK, Batman '66)
  • Vita Ayala (LIVEWIRE, New Mutants)
  • Nathan Stockman (SAVAGE, Spidey)
  • Jon Davis-Hunt (SHADOWMAN, The Wild Storm)
  • And many more, including creators on books that haven't been revealed yet...

Stay tuned for a brand-new episode next month on Valiant's YouTube.

 

 

VALIANT VOICES Episode #1 - ComicPOP Interview with Sal & Tiffany



New YouTube Series About Comics Debuted Today.  It's fun to watch, although the episode is rather long. Even though this is curated and moderated by Valiant Entertainment, the conversation is not confined to their titles, but runs the whole gamut of the industry. Worth checking out.

Tuesday, September 29, 2020

Sunday, September 27, 2020

RUN THE COMICS 5K, PART THIRTY-TWO

 I’ve been numbering my entries, picking up where I left off with the I LOVE COMICS 3000 CHALLENGE as one of the participants on the Captain Blue Hen Facebook page. This started as a challenge from friendly comic shops in Ohio and Texas, originally as the 1,000 Comics Challenge, then the 2021 Comic Book Quarantine Odyssey, and then I Love Comics 3000 - - all goals met by the group of Captain Blue Hen customer participants.  I’m curious to see how long it takes me to read that many comics. My journey began with the 1,000 Comics Challenge on approximately March 15, 2020. 



#586 - #590  SHADOWLAND hardcover (Marvel Comics, 2011) Reprints Shadowland #1-5 written by Andy Diggle with art by Billy Tan.

Now I realize my error. I should have read this hardcover before the SHADOWLAND: DAREDEVIL hardcover. Marvel could have helped  readers avoid that confusion by simply labeling these books SHADOWLAND, VOLUME ONE and SHADOWLAND, VOLUME TWO.  They both earned THREE STARS and I have now posted longer reviews of both volumes on the blog. Look in the September archives for them.

#591 - #594 DAREDEVIL: REBORN hardcover (Marvel Comics, 2011) Written by Andy Diggle with art by Davide Gianfelice

Of the three collections I have read of Andy Diggle's short-lived and unmemorable run on the Daredevil series, this is by far the best. It reminds me a bit of the good work he did with DC's The Losers. Without a plethora of superheroes, villains, and massive amounts of ninjas to deal with (the Shadowland storyline in Daredevil) Diggle gets some space to give singular focus to the hero and get into his make-up more. A longer review can be found on my blog popculturepodium on blogspot. THREE AND ONE-HALF STARS.



#595  DOCTOR DOOM #7 (Marvel Comics, June 2020) When we last saw the Doctor (before pandemic) he had defeated Kang and was still struggling to return to Latveria and become ruler again. This issue introduces the Doom loyalists, seven Latverians of varying ages and expertise. The story flips between northern Latveria where Doom (still in hiding) asks each loyalist individually to swear an oath of fealty to him, and scenes near the Antlion moon base where the Blue Marvel attempts to repair the damage. Doom heads to central Latveria and gives the reigning ruler a flying lesson, Blue Marvel meets an unusual stranger (from the future?) at the edge of the event horizon. A set-up issue for what comes next. THREE AND ONE-HALF STARS.






#596  IRON MAN #1 (Marvel Comics, November 2020)
This is the month of set-up issues (at least in the books that Christopher Cantwell is writing for Marvel). What would you expect in yet another re-boot of Iron Man? That new streamlined armor design (by Alex Ross) is kind of cool. Tony Stark has divested himself of his corporation to uncomplicate his life. He just wants to be a carefree billionaire super-hero. Most of this issue is Cantwell trying to make that point by beating us over the head with repeated examples of same resulting in  $4.99 of boredom. By the time the upcoming conflict is introduced at the very end of the issue, I no longer care. Sorry, Shellhead. TWO AND ONE-HALF STARS.





#597  MAESTRO #2 (Marvel Comics, November 2020)
The Hulk wakes up in an apocalyptic future where an aging M.O.D.O.K. keeps super-beings in confinement. Hulk leaves Las Vegas to explore a devastated America. In D.C., he chases a young lad with respirator down a rabbit hole and meets a reconstructed Machine Man, where he learns that New York has become “Dystopia” (irony) overseen by Maestro. Hulk visits there and is escorted by the Minister to meet Maestro, who is not who you think it may be. This issue begins “Relics”, a three-part backup feature that I suspect will connect to the main story. Young Janice and male companion pore over debris in a bombed out area in search of valuables. They find a discarded shield and another item that Janice proves worthy of wielding. FOUR STARS.





#598  THE IMMORTAL SHE-HULK #1 (Marvel Comics, November 2020)
There is so much more here than we’ve come to expect from one-shot specials. Readers of IMMORTAL HULK need to pick this up as there are key plot points in the current Leader saga revealed in “The Three Deaths Of Jennifer Walters”. Writer Al Ewing ties the three known deaths of She-Hulk into the current Hulk storyline, including the limbo area, the One Who Lives Below, the Leader’s role, and the purpose of the Green Door. Great yarn, with great art by Jon Davis-Hunt. If Bennett leaves IMMORTAL HULK, he gets my nod to replace him.  FOUR AND ONE-HALF STARS.







#599 VENOM #28  (Marvel Comics, November 2020)
“Venom Beyond, Part 3”.

Eddie Brock and son Dylan were pulled into a portal that transported them to a twisted version of New York, where all super-heroes share their costume space with symbiotes.  The ruler is Codex, who wants Eddie brought in. Dr. Octopus takes the captured Virus and transforms him into the subservient Scorpion. Eddie meets this world’s version of his ex-wife, who lets him know what he did to cause everybody to sport a symbiote. Even more surprises when who Codex really is gets revealed. THREE AND ONE-HALF STARS.






#600 WE ONLY FIND THEM WHEN THEY’RE DEAD #1 (Boom! Studios, September 2020)
It’s hard to tell from this first issue if the story is going to stress the science-fiction, horror, or fantasy elements at play within the story. Nice to see Al Ewing write some creator-owned material. In a far future it seems that the space mining/space salvage business is running out of raw materials. Good thing the gods are dying and providing new goods to mine, specifically for medical/technology purposes and also (gulp) sustenance. That’s why they call the salvage vessels “autopsy ships.” Just like in the old gold-mining days, these huge dead gods resting in space (odd place to bury them) are hot commodities and ships have to stake their claims to various sections of the corpse. There’s a lot of vibrant color here of the eye-straining variety. Seems to be popular lately. Have to say, I’m not a fan of anything that requires me to wear sunglasses to read. THREE STARS.



#601-603  OWLY, VOLUME TWO: JUST A LITTLE BLUE (Scholastic/Graphix, September 2020)

How to count this?  122 little pages. Maybe three issues to add?

A complete departure from my usual reading choices. If you are looking for something comic-related for the very young, you just can't go wrong with the Owly books.  I posted a review on the blog for September 26 . . . . .

Comics For Kids: OWLY, VOLUME 2

OWLY, VOLUME TWO: JUST A LITTLE BLUE written and illustrated by Andy Runton, colored by Patty Runton (Scholastic/Graphix, September 2020) Trade paperback digest-size, 121 pages. ISBN # 9781338300673. 


Summary on the Goodreads website . . . . .


Owly is a kind-hearted little owl who knows what it means to be human.


The second graphic novel in the breakout, all-ages series follows Owly as he learns that sometimes you have to make sacrifices for things that are important, especially friendship.


Relying on a mixture of symbols and expressions, Andy Runton's animated and heartwarming style makes Owly a perfect read for everyone. 


My Five-Star review on the Goodreads website . . . . .


     I read the recent Scholastic edition of this, just published in September 2020 (and not listed on Goodreads yet).


     The OWLY series deserves a spot among the best children's literature, especially for those younger and just learning to read. The original black-and-white series, free of dialogue, was beloved by my young grandson, who used to enjoy looking at the panels and narrating his own story/interpretation of what was happening.

     

     Now under the Scholastic publishing umbrella, with coloring and dialogue added, Andy Runton's classic characters should find an even larger audience. My grandson, now five, enjoys reading these new versions to his younger brother and sister. 


     The story here deals with best friends Only and Wormy meeting a bluebird family living in a damaged tree. They want to help out by building a bird house but are met with suspicions. After all, birds and owls have a natural adversarial relationship. But not here. Volume 2 deals with empathy, sharing, goodwill, and sacrIfice - full of life's little lessons for younger minds. Recommended.

MATT LOWDER'S Guest Review: The Seasonal Horror Of THE AUTUMNAL

THE AUTUMNAL  #1  (Vault Comics/Nightfall, release date September 23, 2020) Daniel Kraus, writer. Chris Shenan, artist. Jason Wordie, colorist. Jim Campbell, letters. 


FOUR OUT OF A POSSIBLE FIVE STARS.



     The first half of this book dangerously did nothing for me and seemed formulaic trauma, alcohol, hard-knock kind of set-up, but the art and the middle-to-end certainly peaked my interest. Kat, a not-great mom who seemingly reared herself elsewhere, has a middle school aged daughter, Sybil, and is called away from Chicago back to her small- Nor'Eastern town in New England a-la-any-Stephen-King-Book for her estranged mother's funeral. 


     Apparently, this dead woman has a reputation in the town our main character isn't familiar with. No one, and I mean no one, shows up to her funeral, and everyone is real skittish about touching leaves. Kids play hopscotch nearby singing weird-as-shit local nursery rhymes. A weird, weird place that looks gorgeously orange and lush. At the end of the book, the grandmother in the casket doesn't look like herself -- with something going on the last page that  won’t spoil here.


     If there was ever an eerie, ominous horror book to read in the fall, this is it. Family secrets, possible ecological terror, maybe a dash of wicca, or curses, or something is lingering just beyond sight. 


     I'm going to hold my breath on this one, and tell you to try this if you enjoy the taught, slow burn of small-town horrors like The Haunting of Hill House on Netflix or eco-horror concepts like those found in The Happening or The Plot (also by Vault). Guillermo Del Toro does atmosphere and family stuff quite well, much like this. 


     Novels like this include The Willows by Algernon Blackwood (Nature), The Shadow Over Innsmouth by H. P. Lovecraft (tone), Annihilation by Jeff Vandermeer (sense of place and forboding).

     

      I believe this is a four or five issue limited series, but I'll need to confirm that. The next issues, properly built, could catapult this to a five star rating.

Friday, September 25, 2020

Be Bop Deluxe - Sister Seagull



Be Bop Deluxe 3 of 3

Be Bop Deluxe - Ships In The Night



Be Bop Deluxe 2 of 3

Be Bop Deluxe - Maid In Heaven promotional video



Music Favorites 1971-1980 #3: BE BOP DELUXE 1 of 3

LUMBERJANES Writer To Produce Middle-Grade Graphic Novel For ONI-LION FORGE



FOR IMMEDIATE RELEASE
ONI-LION FORGE TEAMS UP WITH NEW YORK TIMES BESTSELLING LUMBERJANES WRITER IN UPCOMING OWN VOICES MIDDLE-GRADE ORIGINAL GRAPHIC NOVEL
The LGBTQIA+ Fantasy Graphic Novel Will Be Available Spring 2021
Portland, OR: The Oni-Lion Forge Publishing Group is pleased to announce an upcoming collaboration with Lilah Sturges, author of the New York Times bestselling series Lumberjanes, and Meaghan Carter, creator of the webcomics Take Off and Godslave, with the release of their middle-grade graphic novel Girl Haven in February 2021. 

Three years ago, Ash’s mom left home and never returned, leaving behind a husband and child and a shed full of mystical curiosities related to the all-girl fantasy world she’d created as a child—Koretris. One day, Ash invites a new group of female friends from the school’s Pride Club over, and they try one of the spells to enter Koretris. To their amazement, they’re all transported to a magical realm filled with human-sized talking animals who are fiercely protective of their world and are ready to fight to defend it. 

But if Koretris is real, why is Ash there? Everyone has always called Ash a boy—shouldn’t the spell have kept Ash out? And what does it mean if it let Ash in? With a diverse and queer cast of characters, Girl Haven takes place in that strange, special time of life when every young person is on the verge of discovering who they are—and what they want for themselves. 

For Lilah Sturges, this was the book missing from her own childhood experience, and a perfect chance to offer it to the next generation. “Girl Haven is the book I wish I'd had when I was in middle school. The book is for anyone who loves a fantasy adventure, but it has a special message for young trans kids—that they are okay, that they are allowed to be who they are and also to be confused sometimes, and that they are worthy of love and friendship.” For Sturges, it was important for the readers to explore how their gender made sense for them as they develop the stories of their own lives. 

“The Girl Haven team and story has been such a thrill to work with, and I’m so thankful Lilah let me help bring this story to life. Girl Haven has a world with so much life, heart, and sword fights! It’s a beautiful message for trans kids, wrapped up in a fantasy adventure,” added co-creator Meaghan Carter. 

Girl Haven will be available in stores and online February 9, 2021. 
About the Creators

Lilah Sturges is the author of many comic books. She lives in Austin, Texas, with two daughters and two cats.

Meaghan Carter is an illustrator with a love for shonen fighting spirit and aggressive female leads. Since graduating in 2010, she’s honed her work with anthologies and webcomics. She lives with her husband and three cats in Toronto.

Joamette Gil’s work has been published both online and off (IDW, EverydayFeminism.com, Margins Publishing). Her ongoing projects include self-publishing minicomics and curating educational content for Angry Latinxs United, the Comics Workshop, the Black-Led Webcomics List, and the Queer Lady Comics List. She lives in Portland, Oregon, with her partner, two cats, and one big network of rabble-rousers, weirdos, and ne’er-do-wells. She previously worked as letterer for the Hugo Award-nominated Mooncakes

Comics Review: DAREDEVIL: REBORN Hardcover

DAREDEVIL: REBORN written by Andy Diggle with art by Davide Gianfelice (Marvel Comics, July 2011) Hardcover, 112 pages. ISBN # 0785132X / 9780785151326 


Summary on the Goodreads website . . . . .


The apocalyptic events of SHADOWLAND have left the once-proud legacy of Daredevil in tatters. Now, far from the mean streets of Hell's Kitchen, a new evil is rising, and the only man crazy enough to face it is a man with nothing left to lose. The road to Hell was paved with good intentions, but the long road to redemption is the far harder path...

 


My Three-And-One Half Star Review on the Goodreads website . . . . .


     Of the three collections I have read of Andy Diggle's short-lived and unmemorable run on the Daredevil series, this is by far the best. It reminds me a bit of the good work he did with DC's The Losers. Without a plethora of superheroes, villains, and massive amounts of ninjas to deal with (the Shadowland storyline in Daredevil) Diggle gets some space to give singular focus to the hero and get into his make-up more. 


    After the evil version portrayed in Shadowland, work needed to be done to restore Daredevil to his proper role and place in the Marvel Universe. Even though Matt Murdock hangs up the DD uniform and leaves town at the end of Shadowland, there is no way that Marvel would allow a prominent character to be absent for too long. DAREDEVIL: REBORN serves as the transition story that allows Matt Murdock to search his soul and make the decision to renew his purpose and mission. 


     We've seen this story before, most notably in westerns and this series definitely has a western feel to it: a grifter/wanderer (Matt Murdock) strolls into a small town (in the New Mexico desert), befriends a young boy (in this case, they share blindness), uncovers corruption in the local law enforcement (a guns for drugs exchange program) and in vigilante fashion cleans up the mess. Diggle didn't try to reinvent the wheel, and tapped a proven formula to get DD back on solid ground. 

     


     Whether or not it becomes a worthwhile story depends on how it is told, how much detail and characterization goes into it. Although predictable, I did enjoy this. It certainly helped to have Davide Gianfelice on art. Facial expressions and reactions are perfect, and the fight scenes are inventive and creative. THREE AND ONE-HALF STARS.

Thursday, September 24, 2020

Book Review: THE MIDNIGHT HORROR SHOW by Ben Lathrop


THE MIDNIGHT HORROR SHOW by Ben Lathrop (Crystal Lake Publishing, September 25, 2020 release date) 


Summary on the Goodreads website . . . . .


Set against the pastoral fields and crumbling meat packing plants of South Eastern Iowa during the fall of 1985, Midnight Horror Show is a Midwestern Gothic Horror story of fairytale shadows, drive-in shocks and VHS era splatter. It’s a story that begins with murder performed for an adoring audience and ends with a young outsider transformed into the monster he thought he wanted to be. 




My Four-Star Review on the Goodreads website . . . . .


     Contained within the pages of this horror novel is an engrossing detective story. As the author describes it, The Midnight Horror Show is “a horror story about a detective” that “doesn’t fit easily into one genre.”  


       The police procedural is a tried and true device that has served as the framework for many popular and acclaimed works. Rather than seem formulaic, when it’s used properly it can move a story along at a page-turning pace as it does here. The difference is in the way the writer develops and portrays the characters and their emotions and responses to what they observe and experience.  THE MIDNIGHT HORROR SHOW is a story rich in characterization, description, and detail. The detective story serves as the framework. Upon this skeletal structure, the horror elements provide the sinew and fat, the meat that make the story sizzle. 


        The novel transports readers back to 1980’s pop culture nostalgia with spooky film festivals at drive-in theaters and late night horror movies on television. Interest in horror spawned a rapidly-growing market for scary films within the burgeoning videotape (VHS) culture. Remember the public hysteria over heavy metal music, horror films, dungeons and dragons role-playing, and secretive satanic cults during the 1980’s? On a lesser scale, some religious groups and overwrought parental activists went after the more flamboyant television horror movie hosts and sought to censor them. 


   In the backstory to THE MIDNIGHT HORROR SHOW, one such television host, Boris Orloff, loses his job in 1964 after a concerned group protests his devilish influence on younger viewers of his very popular Saturday Nightmares program. They threaten to pull their advertising support from the local television station in the fictional town of Dubois, Iowa. They do their best to run him out of town, but he resurfaces as the host for Saturday night horror movies at the local Moonlite Drive-In. 


Twenty years later, strange murders begin to occur in the sleepy town.Soon, sightings are noted of a strange dark figure in the shadows and threatening wolf-like animals. Detective sergeant David Carlson is assigned to investigate and the novel follows his narrative as he uncovers one clue after another which leads him to a brotherly friendship with a horror-obsessed teen who may be a prime suspect.  As more information is obtained, the evidence seems to point to the unlikely resurrection of Boris Orloff, who perished in a fatal fire at the drive-in.  



  Author Ben Lathrop knows how to keep readers engaged and builds the tension until the final outcome at a revival of the old Saturday night horror movies with a new Orloff inspired host at the remodeled Moonlite Drive-In on Halloween night 1985.


   In an interview with Lathrop by publisher Joe Mynhart, the author referenced several 1980’s horror films in describing his novel: “It’s kind of like Hello Mary Lou: Prom Night II mashed up with Trick Or Treat and set in Twin Peaks. Like those classics, THE MIDNIGHT HORROR SHOW deals with the darkness that exists inside and the satanic urges to release it. 

At several points the reader may feel that they are watching a movie, just waiting for the jump scares. 


The Kinks - Muswell Hillbilly + Band Introduction (1972)

TKO STUDIOS Previews WAVE 3 New Titles In November



Hello TKO fans and welcome back to our newsletter TKO Ringside! This week we have HUGE news for our faithful subscribers...

WAVE 3 is coming Nov. 9!

The new books include LONESOME DAYS, SAVAGE NIGHTS by Steve Niles (30 Days of Night) and Salvatore Simeone (TKO Studios) and drawn by Szymon Kudranski (Punisher)THE PULL from writer Steve Orlando (Wonder Woman), artist Ricardo Lopez Ortiz (Black Panther vs. Deadpool) and colorist Triona Farell (Black Widow); and REDFORK from writer Alex Paknadel (Arcadia), artist Nil Vendrell (Shirtless Bear-Fighter!) and colorist Giulia Brusco (Django Unchained).

Pre-orders for all 3 of these books will be available October 16!

 We want to give you a sneak peek at some of the development behind these exciting new books.

Here is a gif of Szymon Kudranski's cover work for LONESOME DAYS, SAVAGE NIGHTS:

 

Check out Nil Vendrell's early artwork on REDFORK:

See Ricardo Lopez Ortiz's early drawings of the evil being The Undoer in THE PULL:
 

Well, that is all for now folks!

Thank you for reading and being a TKO fan! And always remember, keep being a knockout!

Til next time...

 

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RUN THE COMICS 5K, Part Thirty-One



 I’ve been numbering my entries, picking up where I left off with the I LOVE COMICS 3000 CHALLENGE as one of the participants on the Captain Blue Hen Facebook page. This started as a challenge from friendly comic shops in Ohio and Texas, originally as the 1,000 Comics Challenge, then the 2021 Comic Book Quarantine Odyssey, and then I Love Comics 3000 - - all goals met by the group of Captain Blue Hen customer participants.  I’m curious to see how long it takes me to read that many comics. My journey began with the 1,000 Comics Challenge on approximately March 15, 2020.



#573  IMMORTAL HULK #37 (Marvel Comics, November 2020) When this book was originally announced as a new Hulk title with an emphasis on the horror elements of the Hulk legend, I was excited to see what Al Ewing and Joe Bennett might come up with. Those early issues were so fresh with a great focus on some of the things that make Hulk stand apart from other  titles, especially the darker aspects of the character. 

   As the storyline progressed, IMMORTAL HULK started to drift away from the stand-alone slightly spooky stories (reminiscent of some classic SWAMP THING and MAN THING issues) and the Hulk became engaged in prolonged battles with the Avengers and other super-heroes. I still enjoyed it (Bennett’s art is so good) but not quite as much. Now, Ewing has managed to meld those two dichotomies with the current story arc featuring The Leader.

   This manifestation of The Leader is quite different. He seems to exist as an ethereal presence inside the minds of Bruce Banner and Rick Jones, tormenting and twisting them mentally while biding his time before a physical appearance. In Issue #37, it’s revealed that he’s also infected Doc Sampson and was bedeviling him at an early transformational moment in his childhood. The Leader is actually frightening, and his now revealed persona is more scary and more powerful than any previous versions I have read. The horror is back!

  I love how Ewing makes reference to pop culture icons in subtle ways. Here, it’s the Green Door of fabled horror movie as well as pop song fame. 

This book continues to reward repeated readings. FOUR AND ONE-HALF STARS.



#574  NIGHTWING #74 (DC Comics, November 2020) I’ve been picking up a few of the JOKER WAR tie-in issues, purely on impulse. This time it was a very cool variant cover with a fight between Nightwing and Punchline (which doesn’t happen) that caused me to purchase this. i’m not expecting much, so when the art is good and the story is entertaining and actually does lead into BATMAN #99 then that is a bonus. Can the combination of Robin (Tim Drake), Red Hood, and Batgirl snap Dick (as NIghtwing Ric) out of his Joker-induced hypnosis/madness and restore the true Nightwing? Or, will it take a non-powered secondary character who sees the real person underneath the Ric persona to bring him back?  There’s a neat bit of irony (and sadness) in the conclusion. But, as you might have guessed, NIghtwing is back and Batman is assembling a team again just in time for BATMAN #99 and the conclusion in BATMAN #100. THREE AND ONE-HALF STARS.


#575  BATMAN #99 (DC Comics, November 2020) There’s a masked street vigilante secondary character who hasn’t been given much panel time or even dialogue who’s been methodically beating the crap out of Joker’s minions that I’m beginning to like. I’m affectionately referring to him as Rooster Clownburn (in homage to John Wayne/True Grit). This is the build-up to the big showdown issue, with a neat surprise/twist at the end. There’s nothing this issue to lend credence to my batsh#t Biden vs. Trump theory, but there’s plenty of interesting moralizing from characters on all sides. Another good issue. FOUR STARS.



#576  IMMORTAL HULK  #0  (Marvel Comics, November 2020) “At Ground Zero”.  I am amazed and delighted by the way current writer Al Ewing pulls long-forgotten and seldom-used storylines from old Hulk comics and makes them an integral part of his plots. 


     Bruce Banner’s father, the abusive and mentally-disturbed Dr. Brian Banner, has played an important role in the current Hulk saga. In Immortal Hulk #0, those back issues that inspired Ewing are featured with the new story added that book-ends the older stories and also provides a linking intermission. 

 

    The reprints are well-worth the cover price, great stand-alone stories that explore both the Hulk/Bruce Banner’s psyche and a troubled childhood under the dominating hand of his father. (The Incredible Hulk #312 from1985 by Bill Mantlo and Mike Mignolo; and  The Incredible Hulk #-1 flashback issue by Peter David and Adam Kubert).


  IMMORTAL HULK #0 serves as an informative lead-in to IMMORTAL HULK #37 as The Leader makes his first physical appearance before Brian Banner.  I was getting underwhelmed by the Minotaur/Abomination series of stories, but The Leader tale currently unfolding has renewed my interest in this book.  I look forward to the remaining 12 issues (scheduled to end with #50). FOUR AND ONE-HALF STARS.


#577  FINGER GUNS  #5  (Vault Comics, September 2020) While AFTERSHOCK is my number one favorite when it comes to indie comics publishers, I also follow several other small companies. VAULT is on my radar, and they’ve come a long way from their beginnings with just a few science-fiction and fantasy titles per year. They also follow a limited series format and mirror the output of Aftershock in some ways with their genre offerings. I believe they are a small publisher to keep an eye on in 2020 and beyond. Vault may be even more diverse than Aftershock in genre selection with some books that seem to defy categorization (but that doesn’t mean I won’t try) such as FINGER GUNS. 

      Are you looking to find a title to appeal to the middle-school and high-school teens in your life, something that they can relate to?  FINGER GUNS gets my vote. I’ll even try to give it a short pitch and call it “teenage angst fantasy.”  Although while some youthful concerns and preoccupations seem less important to older family members who can still remember when they shared the same worries - - - the conflict in this series is very real for far too many: an abusive parent, in this case a nasty tempered wife beater who will also strike out at his teen daughter if she tries to intercede.

      FINGER GUNS is about teenage male-female friendship, bonding over a shared discovery that they can point their hand in various gun-like configurations and actually affect the emotions and moods of others. The early issues of the series dwell more on the fantasy aspect as Wes and Sadie experiment with their powers and go through a learning curve. The latter issues are more serious, as in this final issue Sadie intercedes with purpose in a family battle. Things don’t go exactly as expected, especially the outcomes. It’s happy and bittersweet at the same time. FOUR AND ONE-HALF STARS. 



#578  BLEED THEM DRY  #3 (Vault Comics, September 2020) Ninjas and vampires in a far-future setting. However, beyond the cool fighting and bloody violence is a story of multiple layers with a few twists along the way to confound, confuse, and captivate readers. Humans and vampires co-exist (sort of). A human/vampire detective team is assigned to investigate a series of murders of prominent vampires by a stealthy assassin-like figure. 

I wasn’t sure where the story was going, but after reading Issue #3 at the presumed mid-way point, I have a clearer understanding. (No spoilers). THREE AND ONE-HALF STARS.




#579 - #585 SHADOWLANDS: DAREDEVIL Hardcover. (Marvel Comics, 2011) Reprints Daredevil #508-512 and Shadowland:After The Fall one-shot. Written by Andy Diggle and Antony Johnston. Art by Roberto De La Torre and Marco Checchetto. There are many things to like here, which makes the one glaring error even more disappointing. There’s no need to avoid spoilers here, as by now everyone who follows this character knows that the “bad, tyrannical” Daredevil has a defining moment and becomes the “good, humanitarian” Daredevil again. The Shadowland saga expanded across several Marvel titles, and it would require an omnibus to collect them all. (Of course, that happened later). However, to leave out that one key issue or issues where Daredevil makes that transition is a major omission here. The story flows so well from issue to issue until #511 when Foggy Nelson discovers the remains of a  battlefield, a conflict that is not included in this hardcover.  Even worse, #511 ends with a captured Nelson being choked by Daredevil in a killing rage, and #512 begins with Matt Murdock catching a train out of town. The resolution/transition scenes are completely absent from this collection. I was going to rate this highly based on the first three issues, but  THREE STARS is more than generous. I plan to write a more detailed review on my blog later, once I get over the disappointment. 




#586 - #590  SHADOWLAND hardcover (Marvel Comics, 2011) Reprints Shadowland #1-5 written by Andy Diggle with art by Billy Tan.

Now I realize my error. I should have read this hardcover before the SHADOWLAND: DAREDEVIL hardcover. Marvel could have helped  readers avoid that confusion by simply labeling these books SHADOWLAND, VOLUME ONE and SHADOWLAND, VOLUME TWO.  They both earned THREE STARS and I have now posted longer reviews of both volumes on the blog. Look in the September archives for them.