Tuesday, June 30, 2020

The 7th Voyage of Sinbad (1958) ORIGINAL TRAILER



Stay-At-Home Theater: THE SEVENTH VOYAGE OF SINBAD on Svengoolie on MeTV. This classic Ray Harryhausen stop-motion animation action/adventure never fails to thrill me. It's the predecessor to JASON & THE ARGONAUTS which is his masterpiece (in my opinion).

Ozark | Official Trailer [HD] | Netflix



Stay-At-Home Theater: OZARK, SEASON ONE on Netflix. If you liked Breaking Bad, you will like this.

I Love Comics 3000, Part Fifteen

 I’ve been numbering my entries, picking up where I left off with the 2,021 COMIC BOOK QUARANTINE ODYSSEY.  I’m curious to see how long it takes me to read that many comics. I want the results to be realistic so I’m not going to binge read unless I happen to be in the mood.  There isn’t a day that goes by that I don’t end up reading some comics, so we’ll see how long this takes. The journey began with the 1,000 Comics Challenge on approximately March 15, 2020.

 

#374  IMMORTAL HULK #34 (Marvel, June 2020) “The Apotheosis of Samuel Sterns.”  Writer Al Ewing finally gets to put his imprint on The Leader. But in this re-introduction issue, he first revisits Samuel Sterns’ back-story as a series of memories in what now becomes the fifth, and perhaps most dangerous, reincarnation of The Leader. Each time Sterns returned to his human form he became smarter. Each time the Leader returned he obtained new knowledge to work into and finesse his master plan. Ewing also introduces the dark element that he brought to Bruce Banner/The Hulk - - that of an even higher power, which appears to the Leader in moments of resurrection as a blinding green light blocking out the image of a god or demon - who speaks to both gamma-powered individuals as if they were his children. Has the Leader finally uncovered the method to cross over into the nether-dimension and recruit Brian Banner? A nice build-up issue. With the announcement of IMMORTAL HULK concluding at Issue #50, I’m expecting this to be a long term plot element. FOUR STARS.


#375  THE OSIRIS PATH #1 (Behemoth Comics, June 2020) I would not be aware of this new comics publisher if not for Captain Blue Hen’s taking a chance and adding this to their new release shelf, where I promptly picked it up, scanned it, and bought it. Oh, where can impulse buyers get new comics if not for local comic shops?  A thousand times thank you, CBH. This is a neat mash-up of action adventure and science-fiction. Dr. Alexander Hancock is an archeologist recruited for a 1980 secretive space mission that deposits him on Parson’s Crater on Earth’s moon. The clandestine moon base has actually been there before the official moon landing of July 4, 1967. He joins the crew of the nuclear-powered spaceship Orion to Mars, where they investigate some Egyptian-looking temples, where they are attacked by “Set group”. An intriguing beginning with amusing banter and expressive art. FOUR STARS. 


#376  OUR FIGHTING FORCES GIANT #1 (DC Comics, May 2020) I don’t buy too many of these DC Giants but this one caught my attention. There are three new stories in this issue, and all three are worthwhile. The best of the bunch is the main story with The Unknown Soldier, “House Call”, told in Priest’s inimitable style. A news reporter tries to figure out which member of a quartet might be The Unknown Soldier. I couldn’t figure it out. The opening sequence is a classic. Batwoman gets involved in a covert mission while a West Point cadet in “Code Of Honor”. “Medal of Honor” featuring Batman is based on Army Specialist Sal Giunta (who shares writing credits with Brad Meltzer), a Medal of Honor recipient for his service in Afghanistan. Art by Jim Lee! The five reprint stories aren’t bad either - all stand alone stories, which is much appreciated. FOUR STARS.


#377  THE GRIEVLING  #1 of 2  (Clover Press, April 2020 — $7.99) 

Fans of horror comics writer Steve Niles may be a bit disappointed by this latest effort, which lacks the in-depth human revelations of some of his other works. I’m wondering if this book is intended for the young adult reader, although there is no indication of that anywhere on the front or back cover. I’m also not sure the art style of Damien Worm (which reminds me of Ben Templesmith) has teenager appeal. He draws, inks, colors and shades his work here. Many pages are a dark wash of a single color where the white background of word balloons appear ghostly pale. Lily Baxter is an outcast at high school, branded “the loner” and “the freak”. On Halloween night she makes an annual visit to the cemetery, not just to pay her respects and speak to the headstones of family members - - but to every single grave where she knew the deceased. Some teens playing pranks visit the cemetery and tease her unmercifully until a fatal accident occurs and they flee. However, the deceased won’t let Lily die, and she’s resurrected with a companion inside her to protect her from danger. Lily is an interesting character, although a little too one-dimensional. Still, this is a very fast read despite its length, and I’m looking forward to the conclusion. THREE AND ONE-HALF STARS.


#378  HOTELL #2 of 4 (AWA/Upshot, June 2020) “Room 2: The Three Deaths of Muriel Stansfield”  I’ve been following writer John Lees ever since his authentic but grisly take on struggling Scottish dark city/low income/high crime residents in SINK (Comixtribe). This book is a quartet of linked tales done in a style reminiscent of Twilight Zone but edgier. The main character from Issue #1 makes an appearance, as does the creepy/seedy hotel manager, who’s main role seems to be that of warning people off some dangerous areas. A seemingly loving couple on a highway trip stop at the isolated Pierrot Courts (“hotell”, with the o and t missing from the neon sign, heh heh). The husband is not so loving, and has plans to rid himself of his spouse. He made a poor choice of location. The story title is a spoiler of sorts. No matter. You’ll still cringe. FOUR STARS.


#379  ROAD TO EMPYRE: THE KREE/SKRULL WAR #1 (Marvel, May 2020)  Those about to hop on the EMPYRE band wagon for a wild multi-issue mega-event of a comics ride may consider this prologue essential. For me, I consider the prologue essential and the mega-event non-essential. The prologue gives me an indication of what the event will be about, so I can decide whether I want to take the ride. I’ve learned from decades now of various Marvel epic events to approach with caution. They all promise a shake-up of the Marvel Universe that will change it forever, something that actually occurs hardly ever. After reading this, I’ve decided to sit it out (again) and wait for some reviews to convince me (or not) to purchase the eventual collection. You can usually ignore all the spin-off series, unless you’re a completist and have unlimited funds for comics. I do like the cover logo, with the word EMPYRE falling apart on the last four letters like the Hulk just punched it. The spelling is clever, as if to foreshadow that this apparently attempt at conquest may end up in flames (or a funeral pyre). ROAD TO EMPYRE focuses on the remaining members of the now-fatherless Warner family, the last Skrulls hiding in plain sight on Earth to prepare the way for the annexation of the planet.

While they flee their burning home, mother Warner explains to her three daughters the history of Skull-Kree interactions from the beginning of time in a tight, well-written summary of all those past conflicts, with a few revelations - -  including the newest, which is that the Kree and Skrull have joined forces to destroy their common enemy - - Earth. Why would these two enemies join forces? The story hints at a reason, but a pretty lame one. Maybe in the pages of the upcoming EMPYRE they’ll come up with a better reason. They need to, or this may fall flat on its face. THREE STARS.


#380 ROGUE PLANET #2 (Oni Press, June 2020) Cullen Bunn, writer. Andy MacDonald,art. “Chapter 02: Scarecrows.” I’m enjoying this series so far. The salvage vessel Cortes has landed on a planet with no star system. Something strange and ominous is keeping them away from a promised payload. With one crew member already killed by the creature, it now manifests as eyeballs and tentacles overflowing the former spacesuits of previous victims. Meanwhile, as Franco tries to fix the ship’s wiring, he encounters a familiar but unwelcome visitor. As some members of the ship’s crew wander outside to investigate a blood trail, the native welcoming party shows up. FOUR STARS.


Book Review: THE PATIENCE OF A DEAD MAN by Michael Clark


THE PATIENCE OF A DEAD MAN by Michael Clark (Michael Clark Books, August 2019) Paperback, 346 pages. ISBN #173379042X / 97817337890420  


Summary on the Goodreads website . . . .


He just spent everything on a house in disrepair, but he didn’t know someone was waiting inside. Tim Russell just put his last dollar on a handyman’s dream; a quaint but dilapidated farmhouse in New Hampshire. 


Newly single after a messy divorce, his plan is to live in the house as he restores it for resale. To his horror, as soon as the papers are signed and his work starts, ghosts begin to appear. A bone-white little boy. A woman covered in flies. 


Tim can’t afford to leave and lose it all, so he turns to his real estate agent Holly Burns to help him decide whether he has any shot at solving his haunted problem. Can they solve the mystery before he loses his investment…or maybe his life? 



 

My Five-Star Review on the Goodreads website . . . . .


NOTE: Let's get this cleared up right away. The author is not me, and is not related to me. We both just happen to be fans of horror fiction and also writers of same. (He's published; I'm not, except for a short story in a library benefit book). There's another difference. There is an "e" at the end of my last name. I worked hard to earn that and have no plans to relinquish it. 


     After finishing the short Chapter One, it becomes evident that this will not be your standard ghost story following traditional "rules". That is what makes this so entertaining and suspenseful - - the unpredictable nature of THE PATIENCE OF A DEAD MAN. 


     I was drawn to the horror genre during my young formative years, and when considering whether a particular work might be too scary for me to sleep that night with the lights off - - I would always turn to ghost stories as a kind of safe haven. To my young mind, ghost stories had some less frightening standards to adhere to: Ghosts only come out at night. They only haunt the places where they died or bad things happened to them. They can only scare, not kill. 


      It wasn't until I read Peter Straub's GHOST STORY many years later that I learned differently. It's been quite awhile between that book and this one, but now I have a reason to cower again when reading about ghosts. 


     In THE PATIENCE OF A DEAD MAN: The supernatural beings appear in daylight as well. They aren't limited to haunting a household or a barn or a cemetery but have free rein to roam an entire estate and show up on someone’s doorstep downtown. They can physically pick up objects and move them. They can kill. 


     As main character Tim Russell learns all these things during the course of renovating a historic farmhouse in New Hampshire - - I shared his growing apprehension. Clark has a keen ability to make his characters empathetic, and you'll probably end up sharing my concern for Tim and those close to him as the story progresses.


     There's a tragic history centered around the original occupants of the home that dates back to 1862 and the beginnings of the Civil War. The trio of ghosts are obviously unsettled spirits and manifest in different ways throughout the property. Some leave clues or guides to retell their sad story, which lead Tim and realtor/girlfriend Holly to conclude that one of the spirits wants them to perform some unknown task, and set about unravelling the history and the mystery. 


     There are many frightening moments along the way as things ratchet up and become stranger and more disturbing. If you get to Chapter Forty-Seven and don't have time to finish the book, stop and come back to it later. The short chapters in this section of the book are extremely compelling and suspenseful. I was on the edge of my chair. You'll want to get through this final section in one sitting.


     The story continues, as PATIENCE OF A DEAD MAN is Book One of a trilogy. However, there is a firm resolution here and this novel could easily be read as a stand-alone story. I've got a feeling things aren't going to be so easy for whoever owns the dangerous property in Book Two. There's also a character I'm dying to learn more about, as the reveals so far have been strange but also exciting.

COMICS EXPERIENCE: New Classes Added + Spotlight On Local Shop MAROON HORNET COMICS In Oxford, PA.

Comics Experience is committed to spreading the message of truth and equality. One where we continually learn, educate and push forward to make a difference. 

Our community is safe and inclusive to all. We support each other. 
Renowned comic book artist Phillip Sevy (Tomb RaiderThe House, Paradox) teaches you how to improve your storytelling, what the professional standards are, how to avoid common pitfalls, how to build a great cover, and strategies for breaking into the business!
You’ll complete five pages of sequential comics pages under Phillip’s guidance and you’ll get all the behind-the-scenes tips he can pack into six weeks.

No matter where you are in your comics art journey, Comics Experience maintains a fun and creative environment built on positive reinforcement and encouragement. This is a safe place to bring your existing work, create new stories and grow. You’ll get honest feedback meant to help move you forward.

Enroll here! Class starts July 14th.
In this five-week course, critically-acclaimed comics writer Paul Allorteaches you how to build your creator-owned and indie comics career!

Now more than ever, creator-owned comics are a vital part of any comics career, granting you a greater level of creative freedom, and a better chance at long-term financial gain.

This course dives deep into all aspects of creator-owned comics, from developing an initial idea to assembling a creative team to final production. You will learn how to avoid the pitfalls and perils of indie publishing, and how best to navigate a rapidly changing comics industry. There is no greater feeling than seeing your creation in a bookcase or on a comics shelf, and this course will help get you there.

Enroll here! Class starts July 8th.


 
Heather Antos (Valiant, Image, Marvel) talks with Joey about abusive and inappropriate behavior in comics. Heather shares suggestions on how to check on our creative peers and keep everyone safe, signals to look for, things you can ask in person and over text, and other actionable ways to check on people.
 

Writer Keith Robinson talks with Andy and Joey about what led him to getting into writing comics, including taking Andy’s Introduction to Writing Comics class, what he learned through revisions, peer reviews, and working with the creative team on his short story Super Scooter Sydney.



And don't miss this special Make ComicsPodcast episode with Andy Schmidt:

“We're in crisis mode. The encouragement is very kind and sweet and patient. Brandon Seifert started a specific mental health thread for how we're getting through this. Another member started a thread on home schooling and parenting.” 
Creators Workshop member Amber Love
"It didn't take long before I started to get offers of work from Dynamite & 2000 AD. I just keep updating my samples, constantly going through in my head: 'What would Chris [Sotomayor, CE Coloring course instructor] do?' Every page I do, Chris is like my judge." - CE Course Alum Pippa Bowland
Comics creators start here!

Wherever you are on the path to making comics, we can help! Learn more about our coursesCreators Workshopmentoringpublishing program, and other offerings.

We strive to foster a culture of learning, opportunity, and respect for all members of the comics community. 
For more information about Comics Experience, visit: www.ComicsExperience.com