Tuesday, March 30, 2021

IDW Expands Its' Growing Team

from the official press release . . . . .

SAN DIEGO / LOS ANGELES, CA - March 30, 2021 – IDW, a subsidiary of IDW Media Holdings (OTCPINK: IDWM), announced today that it has added six new members to its team with a fresh round of A-List hires. IDW Publishing (IDWP) onboards industry veteran Alex Hargett as Book Trade and Mass Market Sales Director;  Pat O’Connell was tapped as Direct Market Sales Manager; Julia Borden signs on as Foreign Licensing Sales Manager; Lauren LePera is named the new Managing Editor; and Topher Alford joins as Senior Digital Marketing Manager. IDW also announced that they have appointed Alison Quin as the company-wide Senior Director of IT/IS.

“We’re elated to be welcoming such a robustly experienced group of individuals to IDW,” says Nachie Marsham, IDW Publisher. “IDW has an exciting year ahead, and both the publishing and entertainment segments have been building an amazing 2021 project slate. Having team members who are experts in giving our titles the visibility that they deserve, and making them available to our distributors and readers is crucial.

As IDWP’s Book Trade and Mass Market Sales Director, Hargett will be responsible for developing, implementing and managing the sales strategy in both the national and international book trade and mass markets.

“I'm beyond thrilled to return to the publishing industry with IDW, and I'm excited to help get this incredible content in front of passionate readers,'' says Hargett. “With such a strong backlist and impactful publishing initiatives in the works, I'm especially looking forward to expanding our presence with libraries, schools and bookstores to reach a wider audience across all ages. I'm truly honored to be a part of growing IDW's exciting future.”


Prior to joining IDW, Hargett worked as the Trade Marketing Manager at COTY where she led the company’s business strategy and analysis, innovation launches, brand positioning and promotions. Before that, she was the Sales & Trade Marketing Manager at DC Comics, and also spent a couple of years at both Public Affairs Books and Penguin Press.


O’Connell, appointed Direct Market Sales Manager of IDWP, will be responsible for acting as the direct liaison between IDW Publishing and the Direct Market comic book retailer accounts. He will also be responsible for supporting and assisting the Sales and Marketing Department (both the Direct Market and Book Market teams), and for developing, implementing and managing the exclusive cover variant sales program, including assisting the Book Market team with exclusive book editions. Additionally, O’Connell will help coordinate IDW’s convention exclusive offerings by working directly with the editorial, production, design and management divisions of the company. He will also be responsible for relaying direct market retailer insights and concerns to the other divisions of the company.


“I've been a lifelong fan of comics and I've been very fortunate to have worked in both the retail and publishing side of the industry for almost just as long,” says O’Connell. “I'm so very happy and extremely proud to join the exceptional team here at IDW. I look forward to getting the chance to roll up my sleeves once again to help retailers get our immense library of wonderful stories and iconic titles into more customers' hands, create new fans, and grow the direct market together!”


Before coming to IDWP, O’Connell worked as a Sales Manager at Dynamite Entertainment where he curated, scheduled and recorded all digital sales, digital bundle promotions and physical backlist and frontlist direct marketing sales. Prior to that, he was a Sales Representative at DC Comics.


Borden will oversee all aspects of Foreign Licensing with international publishers, as well as assist Hargett and Penguin Random House on international English-language product distribution.


"I'm thrilled to be working with IDW and Top Shelf's wonderful publications,” says Borden. “I can't wait to expand our presence abroad through more partnerships around the world."


Previously, Borden managed foreign rights and sales at No Starch Press, directing D2C business through the in-house e-commerce site, book trade and mass market sales through PRHPS, as well as translation licensing for 150+ titles across 30 countries. 



LePera has joined the IDWP team as the company’s new Managing Editor where she will support the Editor-in-Chief and Director of Design & Production in overseeing the planning of production schedules for comics, books and special projects. She will also be responsible for facilitating communications between the Editorial, Design & Production, Sales & Marketing, Manufacturing and other internal departments.  


“I am so excited to be able to continue serving the publishing industry at such a reputable company with an amazing team,” says LePera. “Being a part of the production and distribution of a variety of amazing and beloved titles is something that I’m really looking forward to.”


LePera previously served as the Managing Editor and Production Editor at Insight Editions, and before that worked as the Senior Production Editor at Bridgepoint Education. 


As Senior Digital Marketing Manager, Alford will oversee all digital initiatives for Publishing including social media strategy, email marketing, SEO, website content strategy, vendor account management, virtual events, direct-to-consumer marketing campaigns and special projects. Prior to joining IDW, Alford was the Marketing Strategy Manager at DC Entertainment, and previously served as the Senior Marketing Manager at Dark Horse Comics.

“I'm excited to be at IDW Publishing and continue my journey of bringing comic books to fans everywhere,” says Alford.


IDW also announced today that they have named Quin as the company-wide Senior Director of IT/IS where she will be charged with spearheading a complete assessment of the company’s existing and future technical needs, and implementing and launching new processes and policies.


Quin comes to IDW bearing more than 30 years of experience in the IT/IS field. Before joining IDW, she served as the Senior Implementation Project Manager at Xenial, Inc., the Director of IT at LEP Inc., and has also served at AWear Limited, The Coffee Bean & Tea Leaf, Virgin Entertainment Group, Drake Computer Training and Soft Tech Computers. 

 

ABOUT IDW

IDW (OTCPINK: IDWM) is a leading media company providing uniquely compelling stories and characters in various genres for global audiences across all entertainment platforms. The award-winning IDW Publishing and IDW Entertainment segments holistically evaluate and acquire IP for franchise development across comics and graphic novels, television, theatrical, games, merchandise and other forms of entertainment.

Video Vault: Gary Scott Beatty Uncovers WAY OUT

Not often does a worthwhile, '60s TV horror show escape my notice, but this one did. 'Way Out, creepily hosted by Roald Dahl (Yes, Charlie and the Chocolate Factory, that Roald Dahl) was broadcast for one season in 1961.

Jackie (The Honeymooners) Gleason's game show flopped so badly it was replaced after only one episode by this dark horror. Although 'Way Out was certainly put together in a rush, the stories are solid and easily the creepiest fiction on early television.

Unlike other story shows like The Twilight Zone, 'Way Out was sinister and darkly amusing without morals or teaching moments. It seemed to exist solely to scare the heck out of viewers.

 
Dahl himself was far from the thoughtful, scholarly guy Rod Serling portrayed on the Zone."Creepy" is the best way to describe his intros -- low keyed, but not unlike the hosts from EC's comic book horror titles like Tales from the Crypt.

The show is terribly hard to find and view, so I have no qualms recommending unofficial YouTube posts. Warning, these are far from pristine prints.

14 episodes were originally broadcast.

Eight episodes are here:
https://www.youtube.com/channel/UCWOCK84JJch2tBpnwvYpmqQ/videos

Two more are here:

I Heard You Calling Me
https://www.youtube.com/c/weirdlectures/videos

The Croaker
https://www.youtube.com/c/weirdlectures/videos

The 20/20 episode is here:
https://archive.org/details/WayOut1961

If anyone knows where I can view The Sisters, Button, Button, and Soft Focus, please let me know.

Believe me, they're -- 'way out.

+++

 

Night at the Museum meets Lord of the Rings in Anthony Christou's latest illustrated novel, now on Kickstarter.

https://www.kickstarter.com/projects/luminousages/tavern-of-dreams-a-luminous-ages-tale

Anthony is an incredible painter. He's been creating his Luminous Ages world for years and you'll want to get in on this beautiful book. He's so confident you'll be hooked, he's offered the first three chapters for you to read for free.

 

+++

Do I sound a little worn out? The Gods of Aazurn Kickstarter Exclusive went through. We reached funding goal in 24 hours, attracted 100 Backers, and were funded at 326%!


Thanks to all my backers!
 

In glorious service to our Aazurn overlords,
Gary Scott Beatty
http://strangehorror.com/

 
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Star Wars: The Bad Batch | Official Trailer | Disney+


Check out the brand-new trailer for Lucasfilm’s “Star Wars: The Bad Batch,” an original animated series launching exclusively on Disney+. “Star Wars: The Bad Batch” makes its debut on Tuesday, May 4, with a special 70-minute premiere, followed by new episodes every Friday starting on May 7.

Preview of TANKERS Plus Release Schedule From BAD IDEA

Information and preview content courtesy of BAD IDEA Comics . . . . .

In just over a week, TANKERS #1 – the double-sized, bi-monthly, dinosaur-battling, hyphen-invoking, much-anticipated spectacular from Robert Venditti, Juan José Ryp, and Andrew Dalhouse  will drop into select stores worldwide and finally give comics something other than ENIAC to talk about.
And in the wake of ENIAC and TANKERS steamrolling debuts, Bad Idea will be delivering even more right hooks throughout the spring and summer:

MAY 2021
***  WHALESVILLE x ROCKS AND MINERALS *** 
WHALESVILLE
Written by MATT KINDT
Art by ADAM POLLINA
Colors by MATT HOLLINGSWORTH
ROCKS AND MINERALS 
Written by MATT KINDT
Art by TONY MILLIONAIRE
Colors by JAMES CAMPBELL
Cover by ADAM POLLINA with MATT HOLLINGSWORTH
WHALE-SIZED ONE-SHOT | NO ADS
$9.99 EACH  |  72 PGS.  |  RATED: E - EVERYONE  |  ON SALE MAY 5, 2021

JULY 2021
THE LOT #1 (of 4)
Marguerite Bennett (writer) ** Renato Guedes (art/colors/cover)
FOUR ISSUES ** MONTHLY


JULY 2021
SLAY BELLS #1
Zeb Wells (writer) ** David Lafuente (art/cover) ** Ulises Arreola (colors)
SANTA-SIZED ONE-SHOT

 
Remember, the BAD IDEA way also means no variants, no trades, no digital, select stores, perennially avaliable Not First Printings and no more than two comics a month – just monthly comics, sold in comic book shops. Goodbye, troubles. Hello, BAD IDEA SIMPLICITY™.

Wanna get in while the gettin's good with Bad Idea?  
You simply have to visit a Bad Idea "Destination Store" -- one of the 200 and counting comic shops around the world that have joined our independent network of direct-distribution retail partners -- to pick up all the glorious BAD IDEA books every first Wednesday of the month. (Or pre-order in advance to make sure you secure your copy.)

We've made it even easier, too. To locate a Bad Idea retailer near you and then pre-order any and every Bad Idea title, simply click here and fill out the little form.

For more information, visit Bad Idea online at BadIdeaCorp.comFacebookTwitterand Instagramor just mash the screen with your palm and do all four simultaneously.
***  TANKERS #1 ***
Written by  ROBERT VENDITTI
Art by JUAN JOSE RYP
Colors by ANDREW DALHOUSE
Cover by LEWIS LaROSA with LAURA MARTIN
PLUS: An All-New BAD IDEA B-SIDE
THREE ISSUES  |  BI-MONTHLY  
$5.99 EACH  |  40 PGS.  |  RATED T+  |  ON SALE APRIL 7, 2021

 
The CEO of global energy conglomerate Greenleaf Oil has just discovered a terrifying secret: the planet only has a decade or less of petroleum left before it's gone forever. But he has a plan to make sure his great-great grandchildren can continue to generate maximum shareholder value – and secure his own legacy in the process. Rather than develop a game-changing renewable energy source through the power of corporate innovation, Greenleaf has perfected the next best thing – time travel (duh) – so that a team of six field-rat contractors armed to the teeth in individually customized mech suits can go back to the Cretaceous Period, tweak the trajectory of the meteor that killed the dinosaurs, and give mankind another 500 millennia worth of oil reserves. What could go wrong? Only all of human history, of course – because when Greenleaf's team of Tankers come home, they'll discover that not only did the dinosaurs never die out, they’ve kept evolving for another 60 million years...and they’re more pissed off than ever.

Pghhead's 2021 COMICS ODYSSEY, Part Ten


 In 2021 I’d like to cross over the 1,000 comics review barrier, meaning reviews that I (Mike Clarke a.k.a. pghhead) contribute to the blog. That’s what this odyssey is about, beginning January 01, 2021. Wish me luck . . . . .


We begin this new round with two sides/edges of the blade . . . . .


#219 BLACK KNIGHT: CURSE OF THE EBONY BLADE #1 (Marvel, May 2021) The art and coloring really pop, which grabbed my attention and motivated me to pick this up on impulse. Sergio Davila and Arif Prianto make a great art team. I’m intrigued by Si Spurrier’s story but not quite sure about it, due to inconsistency. 


     Spurrier can’t seem to make up his mind about whether this is a tongue-in-cheek humorous superhero book or something more serious. He flits back and forth from both modes, especially with the main character. I get that he’s schizophrenic, so the swings in behavior and words make sense. But I can’t figure out if Spurrier is trying to create sympathy for Dane Whitman/Black Knight (self-esteem issues, anxiety, negativity, blustering etc) or making fun of him. I would prefer the former reason, and won’t go along with the latter. 


    The story is a good set-up for what’s to come, as long as Whitman doesn’t keep losing his head over matters. The Avengers are featured and this spotlights the rocky relationship Black Knight has with the team. I’m going to give this another issue to convince me. Definitely worth your checking out if you’re looking for something new. THREE AND ONE-HALF STARS.



#220 BLADE RUNNER ORIGINS #1 (Titan, March 2021) I was impressed with the very first story arc of Titan’s BLADE RUNNER 2019. The art evoked the mood and atmosphere of the movies, and the story was well done. It just failed to hook me, so I didn’t keep up with it. This prequel of sorts does the same fine job of creating that same climate and ambience of the first film, just like a science fiction/noir detective vibe.

 

   This covers the early days of development of Replicants by the Tyrell Corporation and the story of the very first Blade Runner in a fictional 2009 Los Angeles. Detective Moreaux investigates the unknown murder or suicide (hanging) of a prominent Tyrell scientist, and learns that a new Replicant prototype has escaped from the lab. I’m definitely hanging around for the first arc, and maybe longer. FOUR STARS.



#221-#223 OUT OF THE BLUE, VOLUME ONE (Aftershock, 2019) One of my absolute favorite war comics is this oversized hardcover with some incredibly detailed WWII aerial combat. FIVE STARS. A full review can be found on this blog for March 23. 


#224 ALIEN #1 (Marvel, May 2021) Marvel’s spin on the Alien mythos kicks off, and I’m happy to report that the franchise is in good hands. This has all the building tension of the first Alien film, right from the opening pages. Main character Gabriel Cruz shares his reoccurring nightmares with a Bishop-model android psychoanalyst, and things are off and running. (I love that this Bishop model bears an uncanny resemblance to Lance Hendrickson from the Alien films). 


     It’s now 2200, many years removed from 2122 when the Nostromo commercial space vessel investigated a distress call and encountered the Xenomorphs for the first time. It appears that mankind has not learned much from that encounter, and the dangers still exist. 


   Cruz is newly retired after a military career and service as security chief to the Epsilon Orbital Research And Development space station operated by multinational corporation Weyland-Yutani. He returns to Earth hoping to reignite a shattered family relationship with Danny, his only surviving son. 


     Danny still hates Gabriel, is secretly a member of an anti-corporate group, and steals his father’s access codes to the space station. (Why would a retired employee still have access? Well, maybe he’s not completely retired, as the story alludes. Otherwise, major plot flaw.) Danny and his troop get aboard the research station and find something they wish they hadn’t. Here we go!


     I wanted to dislike this book, as I’m a bit miffed that Disney/Marvel has yanked yet another licensed property away from Dark Horse Comics who have done nothing but mostly good work with both Star Wars and Alien franchises. Sometimes good stories win over good intentions. Don’t judge me.  FOUR AND ONE-HALF STARS.


#225 RABID WORLD #1 (Scout, March 2021) For my money, there’s plenty of zombie fare in comics. I’m not really looking for more. However, some readers may be missing that monthly fix of people struggling to survive in a changing zombie world now that THE WALKING DEAD has concluded. It’s too soon to tell, but RABID WORLD may be the cure for zombie allure.


    A farmer in Eastern Maryland finds his crops and trees covered in some brown crap and a very sick dog that he rushes to the vet. Before he can get there, the dog attacks him inside the truck and he sustains severe bites. A good samaritan transports the farmer to the hospital. Things spread from there. A  specialist in pathogens, Dr. Frank Oster, is contacted by the CDC and airlifted to a special government research facility, rescued just in time as Baltimore area residents prowl the streets in a mad rage. 


    Seems like the opening act of many a zombie tale from books, film and comics. What makes this interesting is the familiar setting (Baltimore and Annapolis area, with plenty of local references). However, what’s going to bring me back for Issue #2 is the art. Good details and powerful expressions jammed into small panels in an effective way. Oleg Okunev colors his work in black and white and neutral brown/beige shades. Each page has just a few panels with other colors (blue truck, red on a bloody hand, calico cat, etc) that makes the images pop. This is one to watch.Next issue planned for June, so look for Issue #1 now and be ready. THREE AND ONE-HALF STARS for story; FOUR STARS for art. 


#226 JAMES BOND, AGENT OF SPECTRE #1 (Dynamite, March 2021) Dynamite has done a very fine job overall with this licensed property, wisely publishing mini-series by different creative teams rather than a regular monthly title. This looks to be one of the better story arcs.


  The opening act of Christos Gage’s story is very promising, and a great set-up for more to come. I won’t be spoiling anything by sharing details, as the title is a dead giveaway. Bond comes up against Spectre’s #1, Ernst Stavro Blofeld, who makes a lucrative offer - - enough to retire on and arrange a new identity unknown to M.I.6 or Spectre. Just kill a rival within Spectre. Bond takes the deal, but can he be trusted to betray his employer?


    There’s a lot of dialogue and exposition in this first issue, but there’s still enough action for artist Luca Casalanguida to show what he can do. His portrait of Bond is a neat amalgam of Sean Connery, Pierce Brosnan, and George Lazenby. Not bad company. 


     Showing admirable restraint, Dynamite only published seven covers, all variations on the excellent main cover by Steve Epting. Why mess with a good thing. FOUR STARS.


#227-#228 TREASURY OF BRITISH COMICS PRESENTS . . . THE ACTION 2020 SPECIAL (Rebellion Riverside House,Oxford England) This is a cool magazine-sized, large panel color magazine featuring five comics in  variety of genres and writing styles from U.K. creators. 


  The highlight here is the black & white reprint of Garth Ennis’ “Hellman: At The Twilight Of The Reich” featuring WWII combat with German tanks and revealing the more benevolent side of a German commanding officer.


    “Kids Rule  OK” and “Hell Machine” both deal with post-apocalyptic survival groups. Both are well-done but not making much of an impact on me as I’ve kind of over-dosed on this genre. 


   “Hook Jaw” is definitely worthwhile and quite different, written by Quint Amity with fabulous caption and dialogue-free art by Dan Lish. The main character is a ferocious great white shark. 


   “Dredger” is a James Bond-flavored secret agent story with a little twist at the end showing that agent Dredger has moral and principles. Justice will be served. This is the first time I’ve seen a copy of this magazine anywhere, and kind of hoping I stumble across this again. THREE AND ONE-HALF STARS for the collection. 


#229-#233  RAI #6 - #10 (Valiant, April - December 2020) I thought Matt Kindt really revived this character from the early days of Valiant (1980’s), but Dan Abnett has taken it to another level of creativity and world-building entirely. This came out sporadically in 2020 due to pandemic issues/delays, but has now been collected in a trade paperback.  I reviewed the second story arc on this blog for March 26 . . . . .



#234 AMAZING SPIDER-MAN #61/Legacy #862 (Marvel, May 2021) My short-termed fascination with Nick Spencer’s run on Amazing Spider-Man ends with this issue.


 I’m just not interested in where this in going, and the new things don’t excite me: 1) the new costume, 2) the new housemates for Peter Parker, 3) the alteration in Pat Gleason’s style, why? Looks more like a Marvel house style now, and is less appealing to me. 4) the Gog - ugh.


The best thing here is the variant cover, the main reason I picked this up. TWO STARS.






#235 AVENGERS #39/Legacy #739 (Marvel, February 2021) I’ve gone through a short-lived variant cover fever. My temperature is back to normal now.


 I thought this was a new issue, but it’s the same one I read and reviewed earlier - just with a cool Knullified variant cover. 


This is the beginning of the Phoenix Force saga, which is important for that reason. It did hold up on a second reading. THREE STARS.






#236 CAPTAIN AMERICA #26/Legacy #730 (February 2021) “All Die Young, Part VII” The variant cover fever was still influencing me when I grabbed this one. 


A big cast of characters in this one, with the conflict centered on a trip to Madripoor to rescue the Daughters of Liberty. 


A significant issue in that Red Hulk (General Thunderbolt Ross) returns, with an appropriate patriotic message near the end.  THREE STARS.






#237 DAREDEVIL #28/Legacy #640 (May 2021) Yep, you guessed correctly as to why I picked this up.  


Matt Murdock willingly serves prison time wearing a partial Daredevil mask. Elektra takes up the Daredevil mantle to protect the streets of Hell’s Kitchen. 


THREE AND ONE-HALF STARS.







#238 IMMORTAL HULK #44/Legacy #761 (Marvel, May 2021) OMG, this is so good. 


However, if you haven’t been currently reading this title you will have extreme difficulty following what is going on. It’s a super complicated plot that Al Ewing does a masterful job of juggling/holding together. Don’t be impatient like me, and just wait for the trade paperbacks.


 Joe Bennett’s pencil’s are so good though that you could buy this just to study the images. FOUR STARS.






#239 NOTTINGHAM #1 (Mad Cave, March 2021) A little spin on the Robin Hood legend, with “Hood” as a serial killer. However, he does have a purpose although it’s a bit horrific.


 Maid Marion is also portrayed differently here, not as noble and innocent. The very angular art style and coloring are attention-getting as well. Worth following. FOUR STARS.


#240-#245  NAMELESS (Image Comics, 2016) by Grant Morrison and Chris Burnham THREE AND ONE-HALF STARS.


An occult hustler known only as Namelss is recruited by a consortium of billionaire futurists for a desperate mission. And the malevolent asteroid Xibalba spins closer on a collision course with Earth . . . .


Trust me, it's not that simple. I tried to digest this and write a coherent review and posted it to this blog for Saturday, March 27.