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Thursday, April 30, 2020
Missing Free Comic Book Day? Check Out The Virtual Version . . . . . .
Siskel & Ebert - "Henry: Portrait Of A Serial Killer" (1990)
Some serious commentary on the controversial film, and the horror movie industry . . . . . .
Henry: Portrait of a Serial Killer: 30th Anniversary Edition - Official ...
Stay-At-Home Theater: HENRY, PORTRAIT OF A SERIAL KILLER. Gripping, disturbing film that Joe Bob Briggs on Shudder TV describes as "horror noir". I can't disagree. A slice of life character study, a real portrait rather than a beginning and end with a firm resolution - which makes it all the more unsettling. I'd heard of this movie for years, and now I can cross it off the list.
Book Review: THE BOATMAN'S DAUGHTER by Andy Davidson
THE BOATMAN’S DAUGHTER by Andy Davidson (MCD X FSG Originals, February 2020) Trade paperback, 416 pages. ISBN # 0374538557 / 9780374538552
Summary on the Goodreads website . . . . .
A "lush nightmare" (Paul Tremblay) of a supernatural thriller about a young woman facing down ancient forces in the depths of the bayou
Ever since her father was killed when she was just a child, Miranda Crabtree has kept her head down and her eyes up, ferrying contraband for a mad preacher and his declining band of followers to make ends meet and to protect an old witch and a secret child from harm.
But dark forces are at work in the bayou, both human and supernatural, conspiring to disrupt the rhythms of Miranda's peculiar and precarious life. And when the preacher makes an unthinkable demand, it sets Miranda on a desperate, dangerous path, forcing her to consider what she is willing to sacrifice to keep her loved ones safe.
With the heady myth-making of Neil Gaiman and the heartrending pacing of Joe Hill, Andy Davidson spins a thrilling tale of love and duty, of loss and discovery. The Boatman's Daughter is a gorgeous, horrifying novel, a journey into the dark corners of human nature, drawing our worst fears and temptations out into the light.
My Four-Star review on the Goodreads website . . . . .
I really enjoyed this book, especially Davidson's descriptive skills and the way he verbally paints his scenery.
I view this as more of a crime story with supernatural elements than a pure horror or fantasy story - - and I feel it reads better through that mindset.
The first chapter is extremely powerful, very suspenseful and vividly described. I read it three times just to savor everything. The bayou scenes really came to life. Davidson's descriptive skills and economy of language is worth admiration. So much was packed into that opening chapter that what follows through the first third of the book seems slow in comparison, even though I could sense the building tension.
I'm very satisfied with how this ended. The younger characters are the most empathetic, none more so than the brave and bold Miranda Crabtree, who has to make some major decisions between morally right and wrong before everything is resolved. The adult characters all have major flaws, with few exceptions. However, as another member of the Horror Afficianados group read (Mike by name, not me) pointed out that "childhood innocence becomes flawed at some age."
Advance Comics Review: BROKEN GARGOYLES
BROKEN GARGOYLES #1 (Source Point Press, anticipated July 1 release date) Bob Salley, writer. Stan Yak, art. Raymond Gay, Jeremy Clark, Juan Fernandez, cover art. Robert Nugent, Marco Pagnotta, colors. Justin birch, letters.
The art is stunning and the world-building is amazing in this comic. Movies and comics share in common an ability to take a creator’s imaginative vision and bring it to brilliant life in film and images. I received an advance digital review copy from writer Bob Salley. This is definitely one you’ll want to pre-order from your local comic shop.
In Broken Gargoyles, World War I vets in a re-imagined “diesel punk” 1925 are isolated and neglected. They begin to stage a revolt to draw attention to their needs. The story follows two main characters, and switches back and forth between their point of view.
New York City looks nothing like the grainy black and white 1920’s photographs in history books. The opening panel of Issue #1 gives us a good look at NYC 1925 in Salley’s world. Art-deco like skyscrapers crowd out a small church which looks forgotten among the towering shadows. Inside is the returned WWI soldier William Manco, his injured face stitched back together with pieces of metal, drinking and contemplating his next move. “I’m a ghost in this isolated society.” HIs wife and son have left him, and his prospects for employment are slim, due to loss of vision in one eye and his unkempt and frightening appearance. While watching a victory parade that he’s not participating in, he learns of an alleged terrorist siege of a military caravan in Arizona.
The Arizona of Salley’s creation is a dried out, blazing hot husk of desert where prison chain gangs workers try to avoid swallowing too much of the billowing dust clouds ever present. There, Doug Prescott, a big bulk of a man in heavy cloak and gas mask coordinates the tank attack to draw attention to the forgotten men of the 117th Infantry Regiment. The caption-less large panel depicting massive tanks rolling across the land is perfectly detailed, and suitable for framing.
William Manco and Doug Prescott have served together before, and most likely will cross paths once again, and one is about to betray the other in a neat twist of an ending. This series is one to follow for sure.
Wednesday, April 29, 2020
New Comics Available Through Local Shops After May 20
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ZOMBIE MASSACRE 2: Reich of the Dead - Official Trailer (2015) HD
STAY-AT-HOME THEATER: Zombie Massacre 2 - Reich of the Dead is a short 90-minute film that for it's first 30 minutes is a suspenseful WWII drama of a small group of U.S. Soldiers attempting to elude their Nazi pursuers and get extracted from the battleground. For the rest of the movie it becomes a gripping Zombie tale that maintains the suspense and minimizes the gore, making it even more effective. I anticipated late-at-night, can't-sleep escapist entertainment and was pleasantly surprised at how well done this movie is.
Tuesday, April 28, 2020
Comics Review: SUPER SONS, Volume One
SUPER SONS, VOLUME 1: WHEN I GROW UP by Peter J. Tomasi, writer and Jorge Jimenez, artist. (DC Comics, October 2017) Trade paperback, 132 pages. ISBN # 1401274013 / 9781401274016
Summary on the Goodreads website. . . . .
A part of DC Universe Rebirth!
Superboy (aka Jonathan Kent) and Robin (aka Damian Wayne) make their super hero duo debut in this all-new series SUPER SONS, part of DC Rebirth.
This debut series looks at the lives of Robin and Superboy and their destiny to follow in their fathers’ footsteps, while we meet a new villain whose ascension parallels the boys’ own understanding of their powers-except that he believes it’s his right to rule over every being on the planet!
Collects SUPER SONS #1-5
My review on the Goodreads website . . . . .
Devilish troublemaker Damien Wayne (Robin) lures sheltered Jon Kent (Superboy) out of his bedroom for late night adventures and fun, until they run into Kid Amazo. I liked the stand-alone story in Issue #5 the best. THREE & ONE-HALF STARS.
It's an amusing four-part tale, and the won't-admit-it-but-we're-really-friends duo is kind of cute. The art is perfectly balanced between cartoonish in appearance and more mature in style. It suits the story well.
The best part of this is the rivalry between the two, and watching the different reactions from their respective parents/guardians. Contrast self-assured acrobatic Damien (already skilled with an array of weaponry) with self-conscious awkward Jon (still finding his way, can't figure out how to fly just yet but jumps and leaps like The Hulk).
I'm not sure I would appreciate the continuing series, but this opening story arc was fun.
Gary Scott Beatty On Some Particularly Nasty VIDEO NASTIES
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RINGO AWARDS Announces 2020 Jury
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