Saturday, July 13, 2019

PRE-ORDER PICK for JULY: MAFIOSA Crime Comic Meets Funding Goal

The Story of One Woman’s Refusal to Accept Gender Norms Crosses Publication Goal With One Week Left in Campaign
 
EDITOR’S NOTE: This is my first pre-order recommendation this month. I’m posting this now as there are only five days remaining in the Kickstarter campaign (100% fully funded already). So if you want a copy, you need to pre-order. I was provided an advance review copy, so I’ve read the book and recommend it. Review to follow soon . . . . .

information provided by SEEN ALL OVER MEDIA Publicity
 
PORTLAND, OR–Portland writer Sunshine Barbito and São Paulo, Brazil based artist Debora Carita have teamed together to recreate the early days of the Mafia’s rise to prominence in New York during the roaring 1920’s through an original comic book story of one woman fighting to join the family’s business. The Kickstarter campaign to bring their vision to fruition has reached its initial funding goal, with stretch goals announced!

Mafiosa tells the story of Nicoletta Marchesi, the youngest of five children in a family of  first generation Sicilian Americans who have established a Mafia family in Brooklyn, New York in the early 1900s. Nicoletta is a precocious and beautiful eighteen year old who, unlike her sisters, is very much a tomboy and grew up always challenging her two older brothers at every turn. But when Nicoletta confronts her father Tommaso and announces her desire to join the family business alongside her brothers, crisis ensues.
 
“We just reached our goal for getting MAFIOSA funded! We are so grateful, excited, and blown away by all of your support” says writer Sunshine Barbito. “It is truly incredible to have a platform where you can watch people come together in support of your work. We’ve poured blood, sweat, tears, late nights, endless cups of coffee, and a lot of heart into MAFIOSA. We’re so excited to continue getting the word out about this project. But, most of all, we can’t wait to share MAFIOSA with all of you!”
 
Mafiosa is not only the story of Nicoletta’s rise within the Marchesi crime family but how she and the world around her is transformed when she proves better at the deadly game than her male counterparts. Combining the mystic, high style romanticism of the Roaring 20's with a woman's journey into the savagery of the Cosa Nostra criminal syndicate, Mafiosa presents a fresh take on contemporary themes of gender discrimination and social justice.
 
Funding exclusively through this Kickstarter campaign is a self-contained comic book story, published in a 28 page, full-color comic format, written by Sunshine Barbito, and drawn by Débora Carita, with two covers available.

Stretch goals are as follows:

$7000 - All backers at $5 tier and greater will receive briefing notes and updates on the second and third books in this series of Mafiosa.

$7500 - All backers to receive Add-On options at end of campaign including Mafiosa t-shirts.

$8000 - Enhanced covers. Spot gloss and heavier paper stock for all printed books. 

For more information on perks offered, visit the campaign page: 
https://www.kickstarter.com/projects/rainwerks/mafiosa
 
About the Creators: 
 
 SUNSHINE BARBITO is an up and coming writer and editor, based in Portland, Oregon. She writes fiction and non-fiction short stories, poetry, and comics. You can find her short story “The Injury” in issue sixty-six of 34thParallel Magazine, at 
https://34thparallel.net/issue-66-34thparallel-magazine-indie-litmag-digital-print.html. You can find another comic by Sunshine at https://3kcomic.totalwar.com.  

DEBORA CARITA is a penciler and illustrator. Recently, Débora worked on Call Of Duty Black OPS4 (official comics), Star Trek #5: Through The Mirror (IDW), Project Superpowers by Alex Ross, Gene Simmons Dominatrix, Arana and Spiderman (Marvel, 2006), Guardians of the Galaxy (2007), covers for the Official X-Box Magazine, and advertisement illustrations for pre-productions of TV shows, at OpenTheDoor Studio (2015 to 2017 - São Paulo, Brazil) for big brands like Palmolive, Nestlé, Brahma, Nivea, Danone, and others. 
 
MARIACRISTINA FEDERICO was born in Naples on June 14th, 1983. She studied at the Italian School of Comics, taking courses on comics and animation. In 2005, she took part in a comics stage with Alessandro Barbucci. In 2010, she started working in the world of comics as a colorist for foreign publishers; French; Le Lombard, Glénat, Poil de Carotte, Soeur Marie Therese, American; Upper deck, Dynamite, Activision (Call of Duty), Interweb comics (The Giantess), Glass House, Sugar Skull Media (Lucy the Scientist) English; Titan (Tekken, Assasin's creed). Over the last few years, she has worked with some artists in the entertainment field, illustrating CD covers for singers, DJ’s, and pianists. In addition to working as a colorist, she is a freelance illustrator for private clients, mainly drawing curvy women. With these drawings, she has participated in group exhibitions in Australia and Brazil.
 
CLEM ROBBINS has lettered practically everything, for practically everyone since 1977. He is the author of The Art of Figure Drawing, which was published in 2003 by North Light Books. His paintings and drawings are in collections all over America, and in the permanent collection of the Cincinnati Art Museum.
 
KIRBI FAGAN is a Metro Detroit based illustrator who specializes in creating art for book covers and comics. Her illustrations are known for their magical themes, nostalgic mood and feminine heroines. Her work has adorned fan favorites for Marvel, Boom Studios, and many more!

FRANCESCO FRANCAVILLA is an Italian American comic book artist known for his creator-owned series The Black Beetle and pulp-inspired comic covers. Other notable works include The Black Coat, Dynamite's Zorro series, a celebrate run on Detective Comics with Scott Snyder and Jock, and multiple sought-after Mondo movie poster prints.
 
About RainWerks:
 
RAINWERKS is a multimedia development studio based in Portland, OR. With a focus on creating and developing original IP, as well as working with both aspiring and established writers and artists, the company utilizes crowdfunded comic book storytelling as a proof of concept and market viability for developing original properties across multiple entertainment verticals; inclusive of streaming, film, and video game publishing. 

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